Bobby Roberts
Banned
The release date of Tupac Shakur's most popular album was February 13th, 1996. Its cover is one of the most easily recognizable images in hip-hop, and probably (aside from those weird posters with his poetry all over 'em that they used to sell at Sam Goody) the image of the man that pops into people's heads when they hear his name.
The AV Club has posted a retrospective of not just the album's high points (and its lows), but the details of how the album was made, and where Shakur was coming from when he hit the studio.
Wren Graves said:On Thursday, October 12, 1995, Tupac Shakur was in the Clinton Correctional Facility in Dannemora, New York. By the evening of Friday the 13th, he was recording in Can-Am Studios in Los Angeles. In between, Suge Knight had ponied up $1.4 million for bail and—not coincidentally—inked Shakur to a three-album deal with Death Row Records. If he thought he’d bought Shakur’s services for a couple of years, he was wrong; by the following February, two of those three albums were already in stores.
Now 20 years old, All Eyez On Me was the first double-album of new music in the history of hip-hop, recorded in a furious haze of Budweiser and bud, one-take verses and 12 hour days. “Before Tupac came, everyone at Death Row only got a verse or two or one song done per day,” Death Row artist Kurupt told Jeff Weiss in 2009. “We’d just be partying, smoking, chilling. Pac came in with a military mindset. He taught us that it wasn’t a game; it was about making as much music as you can.”
Shakur had always approached recording sessions with a certain single-mindedness, but this time around he had several reasons for working quickly. He had been convicted of sexual abuse in the first degree for offensive touching without consent, and was only eligible for bail because his appeal was making its slow way through the courts; he was broke, which is why he had needed to make a deal with Knight; and he was anxious to reach the end of his contract with Death Row and start his own label, Makaveli Records. Furthermore, his time in Clinton Correctional—marked by white guards who called him “that rich nigger” as well as two prisoner-on-prisoner murders—had left him feeling shaken and bitter. “Thug Life to me is dead,” he told Vibe magazine in April 1995. “If it’s real, then let somebody else represent it, because I’m tired of it... This Thug Life stuff, it was just ignorance.”
This new worldview lasted right up until he arrived at Can-Am Studios. By most accounts, he had recorded the first verse of “Ambitionz Az A Ridah” within about 45 minutes of walking in the door.
For my part: No matter how many great singles came spinning out of this thing, it's a tough album to love. It's twice as long, and barely even half as good as the preceding "Me Against the World," and with hindsight, it's hard to get into the album too much without being reminded that you're basically listening to the man voluntarily descend into self-hate and degradation as loudly and quickly as he possibly can, as well as being reminded that there probably isn't a single person who got within a 2 block radius of Suge Knight that wasn't somehow ruined by it to any measurable degree.
It's an album that feels sorta like getting drunk off good liquor way too fast, and waking up the next day not just hungover, but alcohol poisoned; at some point you knew you probably shoulda stopped, but by that point you were already drunk and a big case of the "Fuck its" kicked in, at which point it was a matter of seeing how gloriously you'd lose the race to unconsciousness.
Still though: When it was good, it was pretty fuckin good.
How Do You Want It
All About U
California Love
I Ain't Mad At Cha
Commence the reminiscence.