Audiophile GAF

T

TheHighFlyingBirds

Member
AJUMP23 said:
I saw those. But chromecast audio use to be like 20. I think they would do what I want. Just price issues. And I know you get what you pay for in the audio world.
Click to expand...
Have a look for a 2nd hand one? Depending where you are based, you could look on hifi forums, as people seem to upgrade a lot so you can sometimes get a bargain.

How you wanting to play music? Stream from a phone or device or have it connect to a service (e.g. Spotify) and you just control with phone? If its the latter you could get a raspberry pi with LMS on it, as this allows for streaming services (normally need paid subscription though). If you have a load of digital music stored local, will also manage that for you.
 
CLW

CLW

Member
Hey guys looking for a pair of active/powered bookshelf speakers for a Christmas gift for my mom

Needs HDMI arc for tv and Bluetooth for streaming audio from her phone

Budget sub $1000

Looked at

KEF LSX II LT
SVS Prime Wireless Pro
Klipsch The Fives
Kanto Ren

Any advice/picks would be greatly appreciated!
 
BeardSpike

BeardSpike

Member
If someone is curious Dual 604 2x anti resonance mechanicsm - and counterweight.

I started to repair it because it was loose and the turntable just sat there not used - since I bought it with my Grundig speakers.

enMJd3w.jpeg
SRaqWOc.jpeg
MbNvCKC.jpeg

The tin plate / metal strip thingie cost me like 2h to set up. I thought it wasn't bent that much. But it was anyways bent in a few points and wasn't holding stuff at a level at all. It does now.


MP-110 on 604




:messenger_musical::messenger_bicep:.
 
Last edited:
BeardSpike

BeardSpike

Member
My Ultrasone's headphones are malfunctioning, right driver has started to distorting at low frequency, and in pretty high trebles. I don't like the look of new Ultrasone headphones, some Signature Pro series are only popping up and they look pretty cheesy with a big signature on ear cups :messenger_tears_of_joy: .

Was eyeballing Sennheiser's Momentum since my friend has them and I heard them and... Well, there's a new model also and they changed the design - doesn't scream quality at all. Looks like a step-down from earlier models.

I have always used closed headphones.

What you guys can tell me about FiiO FT1? They popped up in the price range of Momentums, look sturdy as f, wooden or wood-like cups, drivers look like actual loudspeaker drivers... And it looks like ear cups are hold by a piece of metal, not plastic. I always didn't pay much attention to FiiO, seeing their toy like DAC didn't spawn any confidence in the brand at all. But I'm ready to change my mind.

FIIO Closed-Back Headphones .-FT1

Guangzhou FiiO Electronics Technology Co., Ltd.
www.fiio.com www.fiio.com

 
Last edited:
BeardSpike

BeardSpike

Member
navii said:
For the price I wouldn't scrutinise the FT1 too much... But if you must:

Click to expand...

Apparently they've changed the design from a screws to flat (nail head) solid head rivets.

Have you heard something about Meze 99 Classics?

mezeaudio.com

99 CLASSICS WALNUT GOLD

Order Now Meze Audio 99 Classics Walnut Gold - High-Fidelity Premium Closed-Back Dynamic Driver Headphones for $309, Buy Now! Meze Audio 99 Classics Walnut Gold - High-Fidelity Premium Closed-Back Dynamic Driver Headphones, Buy Now!
mezeaudio.com mezeaudio.com

That's top end of my budget, honestly more than I'm willing to go for headphones. But build quality seems there and apparently they have a pretty warm sound.
 
Last edited:
AJUMP23

AJUMP23

Parody of actual AJUMP23
killatopak

killatopak

Member
I’ve been getting into IEMs lately.

Is there a qualitative difference between normal 3.5mm jacks and DSPs(usb-c) ones?

As far as I know, you can tune the DSPs but is there more to it other than phone companies ditching the analog audio jacks?
 
Maiden Voyage

Maiden Voyage

Gold™ Member
I haven't subscribed to Spotify in years but their shift to podcasts and video probably would have been enough for me to jump ship. Now these generic covers and pushing musicians further out from profitability are genuinely sad. I don't want music to be a commodity. This video specifically inspired me to make a trip to my local record shop and pick up a few records.


killatopak said:
I’ve been getting into IEMs lately.

Is there a qualitative difference between normal 3.5mm jacks and DSPs(usb-c) ones?

As far as I know, you can tune the DSPs but is there more to it other than phone companies ditching the analog audio jacks?
Click to expand...
DAC would be your biggest concern if the sound quality is solid. I would highly doubt it would be audible, especially if you're out in public.
 
reezoo

reezoo

Member
Hi audiophile GAF, any recommendation for in ear earbuds for workout which are really tuff? I had wf-1000xm4 but my issue is that I sweat a lot + my skin is very oily, i literally used to squeeze my earbud tips to take out the oil and for obvious reasons they got spoiled within couple of year just after warranty expired. Earbuds need to sound as good as sony stuff but needs to really really durable given my condition, my wife has airpods which I tried but they are not very sturdy and fell off during run (might be due to oil).

After wf-1000xm4, I am hesitatnt to spend more then 250 CAD on the new pair.
 
Last edited:
navii

navii

My fantasy is that my girlfriend was actually a young high school girl.
killatopak said:
I’ve been getting into IEMs lately.

Is there a qualitative difference between normal 3.5mm jacks and DSPs(usb-c) ones?

As far as I know, you can tune the DSPs but is there more to it other than phone companies ditching the analog audio jacks?
Click to expand...

I'm having a little trouble understanding your question so please excuse me if my answer is not right.

Basically both connections work the same, they connect your IEMs to a DAC/AMP, the USB cable you mention would have that DAC/AMP built into it while the 3.5mm jack cable would need to be plugged into a DAC/AMP, this could be a phone (if it's got a 3.5mm female jack, it's got an AMP/DAC), or, and this would be getting into the "qualitative differences" territory, it could be a DAP, or another fancier USBC dongle, or a Bluetooth player, or you could have a seperate AMP and DAC, just depends how hardcore you want to be (and how much you wanna spend).

Regarding the DSP, which is just an EQ. You can also get EQ on the other solutions I mentioned.

I think the USBC cable you mention is a convenient way to listen to wired IEMs. But it limits you to only using whatever the quality of the built in DAC/AMP that is in that cable. If you have super expensive IEMs you probably want something better than a $10 USBC cable with an in built AMP/DAC solution.
 
BeardSpike

BeardSpike

Member
Maiden Voyage said:
I haven't subscribed to Spotify in years but their shift to podcasts and video probably would have been enough for me to jump ship. Now these generic covers and pushing musicians further out from profitability are genuinely sad. I don't want music to be a commodity. This video specifically inspired me to make a trip to my local record shop and pick up a few records.



DAC would be your biggest concern if the sound quality is solid. I would highly doubt it would be audible, especially if you're out in public.
Click to expand...

I'm still on Tidal + CDs + Vinyl.

Tidal merged tiers so its like 22 PLN for HiRes FLAC vs Spotify Premium (formerly Spotify HiFi) which was supposed to launch in Poland with HiRes FLAC tier for non other than...



80 PLN per month.

Long story short, I'm staying on Tidal.
 
Last edited:
BeardSpike

BeardSpike

Member
I'm still salty we don't have Qobuz here, since apparently they have pretty large music database, download store for FLACs and whatnot. A few months back when Tidal didn't jump ship to HiRes FLAC it had better sound quality according to my friend in Germany dunno about how it is now.

I would absolutely test the shit out of it during cancellation process, if it was available. It's like they don't want any PLNs. A bummer.

The only good streaming services in Poland are Tidal and Apple Music.

Their tiers are priced similarly here but to use HiRes FLAC in AM you have to be on Mac and iPhone ecosystem - which unfortunately I am not.

But Apple Music database is as large as Spotify, if not larger. Definitely bigger than Tidal.
 
Last edited:
Laptop1991

Laptop1991

Member
reezoo said:
Hi audiophile GAF, any recommendation for in ear earbuds for workout which are really tuff? I had wf-1000xm4 but my issue is that I sweat a lot + my skin is very oily, i literally used to squeeze my earbud tips to take out the oil and for obvious reasons they got spoiled within couple of year just after warranty expired. Earbuds need to sound as good as sony stuff but needs to really really durable given my condition, my wife has airpods which I tried but they are not very sturdy and fell off during run (might be due to oil).

After wf-1000xm4, I am hesitatnt to spend more then 250 CAD on the new pair.
Click to expand...
I'm not sure any earbuds will stand up to your condition when you run alot after a couple of years, but i bought some earbuds 2 months ago and after seeing some reviews, i bought the Nothing X pair that cost about a 100 quid, but i don't use a streaming service, i use Sony's LDAC HI RES Bluetooth codec from either my Audio file player or my phone using an SD card for my music and they sound really great, no interruption and are noise cancelling as well, i can't go back to just normal codecs after hearing it

Son'y's Hi Res LDAC earbuds were too expensive for me at over 200 or upto 300 quid, so i can understand where your coming from with the price, but i'm really happy with mine, it depends on your listening enviroment and as far as i'm aware Spotify and Apple don't stream Hi Res LDAC audio so they might not be any good to you if you stream music from them,

any good sounding pair would do for you as you know they won't last long.
 
Last edited:
BeardSpike

BeardSpike

Member


Redid my other set properly. Woofers with original coils. They play higher, with midrange even. Proberly like they should.

That apparently translates to more dynamic sound.

Ditched plastic dustcaps, used the same material that is on cones.

$48 total cost.
 
Last edited:
Duellist

Duellist

Member
Hey all, need some recommendations on some good sounding bluetooth ear buds. Haven’t really ventured into the ear bud realm and don’t really buy into the apple EarPods. Right now I run over the ear Sennhiesers. Have a pair of sennheiser momentum’s for music and a pair of Sennheiser hd 598sr that run for my ps5. Happy with both just want a good set of earbuds to add to the mix. Music I listen to is Metal pretty much 27/7.
 
Audiophile

Audiophile

Member
The lengths I go to to get a good master...

I've always had a real soft spot for Counting Crows' cover of Big Yellow Taxi (it's got that light and easygoing, carefree late 90s/early 00s vibe that fills me with nostalgia), but I've always preferred the version that has Vanessa Carlton on it. There's an unofficial vinyl release of Hard Candy (the album) with better mastering than the digital releases but it only features the version without her on it. So the version with Vanessa Carlton is only available on a separate CD single with a dynamic range rating of 6 and it has that very blunt early 00s pop music EQ too to compound it, it's passable on a good set of speakers, but kinda crap and unpleasant on headphones.

Anywho, I used yt2 to download the official music video from YouTube and demuxed the audio, and voila, a dynamic range rating of 10, and no clipped or limited peaks or intersample peaks. However, the YouTube stream is only 128Kbps Ogg; and while I'd take a low bitrate lossy copy with more DR and a better mastering over even a Hi-Res lossless file with worse DR and mastering, I'd like to do better if I can... So, I tracked down a Now That's What I Call Music 2003 US DVD-V on discogs which features the music video and added it to my basket, popped over to rutracker to grab a disc image to double check and it has the video on there with an LPCM 16/48 track with the same dynamic range.

Just gonna rms-match each track with replaygain and listen to them to double check this isn't just a low frequency eq adjustment giving a false reading and that it legitimately sounds better, then will add to my digital library and hit buy on the discogs copy for a few quid to add to my physical collection.

This is what it's like for my fussy arse. I've auditioned over 30 versions of some albums before deciding what copy or copies to get and add.

My audiophile journey started backwards compared to most folks, rather than getting speakers and an amp, then maybe dac, then feeding it with whatever I've got. I started at the source or 'ground level' and prioritised getting the very best masters I could of every release I want to give me peace of mind, ripping them all in in the best quality possible and adding them to my foobar digital library whether CD, HDCD, Vinyl, SACD, DVD-A, BD-A, Hi or standard res lossless download, lossy download etc. I even have a lot of DVD-V, BD-V stuff of live concerts where I've demuxed the audio, used the chapter markers as guides for a cue sheet, then imported it into my library like any other release. Wherever the best [or my preferable] master/s are I'll go there and then get it into my digital collection in either a bit-perfect state (digital) or as transparent as possible (analogue). I can't bring myself to use Spotify or Tidal or whatever streaming service as a primary source, not just cause I like to possess both physical and digital copies where possible, but most of the time you have no idea what mastering you're getting and very rarely will the best or better mastering be on there; this is far more of a concern to me than lossy vs lossless, if the master is poor, the latter is pretty much irrelevant to me. I'd take a 128Kbps mp3 of a great master over hi res lossless file, an SACD or a 45RPM 12" set with a poor one, but then if that master is on the latter, then I'll go there.

I think a part of this is also my need to archive and preserve things in their best form, it's something I think is immensely important (same for movies, tv etc). I have a giant SSD to run it all from alongside a portable foobar install with everything needed on that drive and setup so it can be plugged into any other computer and run anywhere, everything is meticulously tagged and referenced so you know the exact release. I have a second drive I take with me places, then a couple HDD backups (one 'offsite') and then I have all the physical copies of stuff stored away safely. Everything lossless is in FLAC, the few lossy things are left as is. All my DSD/SACD stuff has the original files and disc images backed up in separate folders, but I convert to 24/88 PCM with Weiss Saracon and use that for now in the main library. I use replaygain with an 'album source by tags' and 'prevent clipping according to peaks', with the scan set up for maximum precision and oversampling to catch all intersample peaks. I also have a mirrored library where every track is in Opus 400Kbps with a very specific custom encoder setup and I can't tell the difference at all, even in ABX. I still use and keep the lossless for 'posterity'/preservation of course (and that elimination of doubt). But the Opus version of the library is setup to eventually go on a microSD so that portable listening is viable on a reasonable storage capacity on a DAP or similar. My main librbary is coming up on 2500 albums with an average bitrate of 1600Kbps and the Opus/portable mirrored version comes in at 390Kbps. So it quarters the size for a portable device. The custom encoder is setup for one click in foobar, moves only specific accompanying files, simplifies the folder structure for portable devices and also embeds the "version" tag I use into brackets at the end of the album title so that distinct release are separated. The comment tag features all identifying info in a specific layout and I use a discogs tag with the direct link to the discogs release. Right now, I just have an abridged library on my phone with a smaller microSD using Musicolet & Poweramp (Pro?), though the UIs leave a lot to be desired.

I'm even planning on doing LTO tape backups at some point and am working on a specific setup (tape gen etc.) that minimises cost and can be iterated on every year or two as well as stored safely. When I'm old I'd love to hand a case to my children or a relative or someone important who I know appreciates music and give them the gift of a vast library of the very best sounding music that they can enjoy. It's a lot of work over the course of 12+ yrs, so I have to protect it. My most prized possession is those drives alongside the music itself. They literally represent time and I'd be devastated to lose them. All the testing, the ripping, the click/pop removal, the tagging, the organising, all the little pipelines and systems devised to optimise everything, the artwork, the logging of everything. Then setting up foobar to read and organise all the custom tags, all the little tweaks to make everything just so.

Foobar has been an absolute godsend. Paired with the 14yr old still yet to be updated simplaylist component, I can have multiple versions of an album denoted by custom id3 tags and it separates them out wonderfully. And it's so snappy compared to anything else around today, along with perfect audio output. I don't think I'll ever use anything else.

Anywho, on the hardware side. I've just had a complete reset and I'm going to pretty much start again. I've sold almost everything I had and I'm in a smaller room atm....right now I just have the little Fiio headphone dac/amp running from my laptop in dac-only mode, then I either run that into my little (real) tripath amp + Q Acoustics bookshelf speakers -or- into my Cayin C5 portable headphone amp + Sennheiser HD 380 Pros.

I'm gonna build things up again slowly and I'm currently whittling down three tentative setups to work my way up through bit by bit, I wanna really nail everything together and appreciate the improvements. A Denafrips DAC plus a Denafrips Pre-amp will be the basis and I'll be starting off with some nice larger bookshelf speakers from ELAC. The amp I'm undecided on. Basically wanna restart with a nicely balanced mid-budget system, get all the tweaks, the room and the connecting parts nailed, I'll always have peace of mind that I'm feeding it with the best quality music source (alongside a heavily tweaked -- albeit old fashioned -- portable install of foobar that works perfectly for me) and then once it's all in place: hot swap the weakest link for an upgrade, and main component by main component, bring it up to the next setup level. Same on the headphone side... though I'll always use the fiio dac + cayin c5 + hd380 pros to screen and compare different releases/masters to decide what to have. But for pleasure listening, the first stop will be HiFiMan Edition XS. It's kinda fun to start again.
 
Last edited:
Ownage

Ownage

Member
I have some Shure 846s and some Sony WH-1000XM4 cans. I'm venturing into the BT ecosystem, and have seen Shure offer a BT setup for their 846 earbuds. I do like the XM4s tho, but they don't get loud enough. I max out the volume on my phone and want more, but the software fusses at me. Apparently, I'll go deaf soon.
 
Maiden Voyage

Maiden Voyage

Gold™ Member
Ownage said:
I have some Shure 846s and some Sony WH-1000XM4 cans. I'm venturing into the BT ecosystem, and have seen Shure offer a BT setup for their 846 earbuds. I do like the XM4s tho, but they don't get loud enough. I max out the volume on my phone and want more, but the software fusses at me. Apparently, I'll go deaf soon.
Click to expand...
Yes you will. Be careful with listening levels.

That said, you can always get a portable amp for your wired headphones.
 
Audiophile

Audiophile

Member
For anyone who hasn't frequented the Old School Music Thread, I did a couple of posts referencing the songs folks were posting with my favourite masters of them and also shared some <30s samples ripped from them. Figure some of the releases will be appreciated here if anyone wants to sample them.

Half of it is average to listen to and I'm just sharing the best of a bad situation kinda stuff, but some of the albums and these specific masters/releases of them are nice system-flexers:

Here's a LINK to the first post from a year or so back...and a LINK to the folder with the <30s samples in

And a LINK to the larger second post from recently...and again, a LINK to its respective folder with all the samples in.

The posts include the discogs links and other info. Some stuff is dirt cheap, most is reasonably priced, though some stuff unfortunately veers into silly money territory now, so perhaps check the discogs link first and listen at your own peril if you're already happy with a version you've got, lol. Btw, some of these will require cranking the volume control beyond the norm.

I recommend trying the following from these links if you wanna give your system some nice waves:

Paul Simon - Graceland (link 2)
Laura Brannigan - Self Control (both versions, can't decide which I prefer, link 2)
Nina Simone - I Put A Spell On You (link 2)
Pink Floyd - Wish You Were Here (link 2)
The Who - Who's Next (link 2)
Black Sabbath - Paranoid (both versions, each are very different but great in their own way, link 2)
ACDC - Back In Black (both versions, link 2)
Fleetwood Mac - Fleetwood Mac (link 2)
Toto - Toto IV (link 2)
Paul Simon - There Goes Rhymin' Simon (link 2)
The Who - Who Are You (link 2)
Fleetwood Mac - Tango In The Night (link 2)
Terence Trent D'Arby - The Hardline Acc../Sign Your Name (all versions, can't decide, link 2)
Bon Jovi - Slippery When Wet (this actually isn't a well-regarded version, but despite some flaws I find it the most exciting listen, link 2)
Alanis Morissette - Jagged Little Pill (link 2)**
Pink Floyd - The Division Bell (link 2)
Pink Floyd - Meddle (link 1)
John Lee Hooker (w/ Santana) - The Healer (link 1)
ACDC - Thunderstruck (link 1)
SRV & Double Trouble - In Step (link 1)
Nirvana - Nevermind (both versions, link 1)

** audio-wise this not a stand out album for the most part but this specific release is by far the best way to hear it, the og cd/vinyl releases or the remastered hi-res can't come close, this has more range, better EQ and almost eliminates the sibilance that's present everywhere else


Perhaps I'll put together a post dedicated to this thread in the future with my absolute best showcase recommendations along with samples as opposed to just referencing songs/albums others have mentioned.
 
Last edited:
Audiophile

Audiophile

Member
Soz to double post but I forgot to mention, if anyone wants a bass test I highly recommend James Newton Howard's score for Unbreakable, the whole thing is great musically but the tracks "Visions" & "Unbreakable" have big slamming, full bass that really explodes and has actual resolution.

I have the CD which is very dynamic and can't speak to whether the streaming/digital versions are the same, I assume they are as these sorts of releases rarely get remastered, but I can't say for sure. Just be careful, it goes from very quite to very loud and could damage your ears and in rare cases even speakers.

I'll also add while on the subject of JNH, his score for The Village with Hilary Hahn isn't only one of the most beautiful sounding things I've heard that gives me the shivers every time, but it's great for testing out your systems overall resolve, it's handling of strings and "airiness".

Whenever I change my setup and get things all in place, this is the first thing I play, it makes me really feel something which is the goal in the end. I'd recommend tracks 01-09 + 11 as a playlist. With "The Vote" & "The Gravel Road" being the big stand outs.

All of the James Newton Howard / M. Night Shyamalan collabs are great audio wise and musically, Signs is particularly good.
 
Maiden Voyage

Maiden Voyage

Gold™ Member
Audiophile said:
Soz to double post but I forgot to mention, if anyone wants a bass test I highly recommend James Newton Howard's score for Unbreakable, the whole thing is great musically but the tracks "Visions" & "Unbreakable" have big slamming, full bass that really explodes and has actual resolution.

I have the CD which is very dynamic and can't speak to whether the streaming/digital versions are the same, I assume they are as these sorts of releases rarely get remastered, but I can't say for sure. Just be careful, it goes from very quite to very loud and could damage your ears and in rare cases even speakers.

I'll also add while on the subject of JNH, his score for The Village with Hilary Hahn isn't only one of the most beautiful sounding things I've heard that gives me the shivers every time, but it's great for testing out your systems overall resolve, it's handling of strings and "airiness".

Whenever I change my setup and get things all in place, this is the first thing I play, it makes me really feel something which is the goal in the end. I'd recommend tracks 01-09 + 11 as a playlist. With "The Vote" & "The Gravel Road" being the big stand outs.

All of the James Newton Howard / M. Night Shyamalan collabs are great audio wise and musically, Signs is particularly good.
Click to expand...
Angel by Massive Attack has become my go to for testing. I’ve got others but that one hits most of what I want to trial out.

I’ve never put much into car audio before but my new ride has a great sounding system so I might rethink it in future vehicles.
 
T

TheHighFlyingBirds

Member
Maiden Voyage said:
Angel by Massive Attack has become my go to for testing. I’ve got others but that one hits most of what I want to trial out.

I’ve never put much into car audio before but my new ride has a great sounding system so I might rethink it in future vehicles.
Click to expand...
One of my go to tracks for demo's, excellent way to test setup for bass and control and whether your speakers can handle the different layers.
 
Audiophile

Audiophile

Member
I really wish Tripath / "Class-T" amps were still a thing, they're basically class D but with some additional differences and much higher switching. The good ones retained much of the bloom, organic shimmer, warmth/smoothness and lack of fatigue that folks love about A/AB, but they had very fast, nimble bass and lower mids, plus great detail. I find the vast majority of AB stuff to have quite slow bass by comparison and I often find it very unengaging. These Tripath amps were the best of both worlds with very little of the downside from either, they're exciting and agile, truly drawing you in.

The company went bust and Cirrus logic own the patents but have done nothing with them, so all chips are NoS (or sometimes fake) and the only option is to get one of the remaining modules and build an amp yourself. Even though newer Class D stuff, particularly Purifi, Hypex, TI TPA & GaN FET are doing some seriously impressive stuff technically and have eliminated much of the downsides, especially with recent filtering advances, there's just something really special and musical about some of those Tripath modules. I really don't get why folks would disregard this one particular flavour of amps that were very well-regarded.

As mentioned in that earlier ramble, I've sold pretty much all my stuff and I'm starting out again, right now while I'm planning I have a dirt cheap (I think it was £30 on Amazon back in 2013) and totally tatty/janky Lepai LP 2020A+ which unlike newer revisions, has the real Tripath TA2020 module in it, plus an upgraded psu. It's absolutely insane how good it sounds and I'm having far more fun with it than the £1300 Cambridge Audio amp I had last. Granted I'm in a small-moderate size room right now with a pair of Q Acoustics 2000 series bookshelfs, so if I needed to drive more, it'll flatten out, but for my needs right now this thing is just so musical and engaging. Plus, if you needed more, the ta3020-based amps would give you what you need with very similar sound signature, just much bigger and more refined.

Just a shame this whole sub-class of amplification and "flavour" has been bought up and nothing is being done with it, not licensed, not used, not opened up. Just kinda left to die.
 
Last edited:
You must log in or register to reply here.

Similar threads

The Official Headphone Thread 2.5: We're Making WAVs and Catching FLAC
186 187 188 189 190
9K
1M
Chittagong replied
$500 cans on, this is how you dream right - Official Headphone Thread
398 399 400 401 402
20K
2M
super-famicom replied
  • Locked
Sound Card Advice
4
732
Pimpbaa replied
Top Bottom