Grildon Tundy
Member
Oh, man. RIP. He seemed so spry and sharp even recently. Comes as a shock.
Or how Paul Verhoeven's version would've been like. But Lucas stopped considering him once he saw "Spetters".I always wonder how insane his Return of the Jedi would’ve been.
People see the surface strangeness and think his works are cynical or mere parody, but quite the contrary. He's earnest about everything... it's never mere genre parody.
Amazing homage.
Lost Highway with the Manson and Twiggy cameo and a few Trent Reznor tracks was the big oneHe made shit movies in the 90s that my idiot stoner cousin wouldnt STFU about.
Lost Highway introduced me to Rammstein, damn what a killer soundtrack that film had.
NiN, Manson, Rammstein. So good.
Harrowing to me that this was the ending shot of the final film/tv work he gave us; I've never stopped thinking about the ending of Twin Peaks, it was like his entire universe being drawn into some kind of sorrowful conclusion, with Cooper saddened to hear the truth whispered to him in this way.
So much of the cast died within a short time, too -- it was a final story in a closing world, the last appearance on film for a whole lot of people. The composer of the music, including the haunting theme in video above (Badalamenti); Mike; Agent Albert; the Log Lady; Norma; Carl (Harry Dean Stanton); and others, as I recall. Now Lynch as well.
I'll never forget the night of the finale.I've asked myself what happened in that last episode of the return every day since I saw it.
Sometimes when I'm working and need a break from staring at a screen I just look up at the ceiling or off to the distance and think, "what happened at the end of the return?"
Brilliant artist. With less skill involved this would be a copout, as it is for many other directors, but he blended intent and abstraction better than anyone else.
It’s better than the new ones, arguably. Captures the weirdness and otherworldliness of the book.
Frank Herbert was involved in Lynch's Dune movie and is one of the few people involved who seemed to like it, with most other people finding it a nightmare project they wanted to forget. It is pretty much the opposite of The Shining in that the author liked it, but it wasn't a success and critics hated it.Lynch’s version of Dune is like Kubrick’s version of The Shining. Both great movies, both terrible adaptations of the source material.
Same woman singing as in this incredible scene, Rebekah del Rio
Yeah honestly that might be my least favorite of his work. What makes it extra depressing for me is knowing that it was supposed to be the pilot episode for a TV series. They introduced all these characters that I would’ve loved to spend more time with.You know, I never really rated Mulholland Drive that high out of his work, but I understand film people love it because it is a Hollywood inside baseball type thing.
I'm not the biggest fan of his work, but Elephant Man is such an amazing movie. The tone, the setting , the dialogue , it's gut wrenching.Watching The Elephant Man now. It was already a tough film to get through in one piece but now...
The best British film of the past 50 years was made by a couple of mad yanks.
I'll never forget the night of the finale.
I had just recently finished my final doctoral dissertation & defense and suddenly had time to relax, so the ending of Twin Peaks was falling at just the right moment to enter that other world. The wife (who is frightened of Lynch and won't watch any of it) was thoughtful enough to pick up a box of donuts and coffee for me and set it out when I returned from work, amazing. I didn't watch or touch the donuts until everyone was fully asleep, house dark, all alone... headphones.
I found the final 2 hours to be bizarre but intensely appropriate. If you rewatch, there's a kind of sadness about the impossibility of the world of Twin Peaks throughout the return season. And we kept waiting for the real Cooper across the whole season just as they did for 25+ years, as the town fell from quirky parody into darker decay. When everything lines up and he finally returns, it's too fake, that world falls apart and the dream begins to dispel. Then we see a darker place more like our real world... and there's more to say about the other world of the finale but it would take a long essay.
this moment was the most harrowing (when Cooper sort of wakes up, sees that this world is a kind of fading dream)
the way his face hovered on the screen like he was watching himself, such a strange dread
But some people are too quick to try and draw lines like "this universe is the real one, that one is fake" or "this was dream, that was reality" and there isn't a line like that for Lynch. The dream worlds are sort of the same world, Laura's trauma (even if she can't remember it until that scream from the house at the end) is the same in both.
I've read that theory before; I think it captures something that is going on, but not completely.There's a theory out there that Laura / Carrie Page is a kind of bomb. Cooper takes her back to Laura's house in the final episode in an attempt to destroy Judy and the dimension she occupies. At the end, when the lights go out in the house, the Laura "bomb" detonates and Judy is destroyed. The "real" world is saved from Judy's influence.
It's a nice thought but I think the dread on Coops face that you mentioned, Laura's scream in the lodge earlier in the series, 'The World Spins' playing in Return Part 17, and Laura's final whisper to Coop all point to something going really wrong instead.