Either one is milestone status, doesn't matter which one you pick.
Damn i know i'm gonna speed to this album. Especially the c-murder joint.
this dude must have been reading all my posts bagging on him and decided to stunt on me, Kanye reads GAF HOP confirmed.
Y'all are bugging if you think Mac's album comes within sniffing distance of this album's poop tbh. Mac Miller's album has some good beats, is competent, but is filled with mediocre rapping. This shit is actually moving the game forward. Kanye pretty much let his 2nd rate rapping take the backseat on most of this ish and just went full on with the production.
Motherfuckers comparing Call of Duty to Half Life right now.
Just finished it.
I have to say, I think Kanye may have just constructed his best album yet. I usually bag on his music for being sonically and ideologically incoherent, but on this he really took it to a different level. He took the best part of his work since Graduation and synthesized it with sounds of the underground and mainstream. Not just in rap too. There are some moments on here that remind me of my favorite death metal albums from high school. This keys section on hold my liquor had me catching literal feels, reminded me of Windows from The Red in the Sky is Ours. I think Kanye really transcended rap with this album. My favorite track from MBTDF is Lost in the World, and I love that the lighter sections on this album evoke that otherworldly, ethereal symphonic feel that you would hear from some shit like Solar Fields or other ambient. The industrial sections are also pretty well done. To be honest, this album is sonically speaking right up my alley in every possible way. HE EVEN REMADE A C MURDER SONG. It's like he was listening to all my favorite classic electronic and metal music and synthesized it with his own music and the underground rap stuff pushing shit forward like TNGHT Death Grips, Shabazz, Killer Mike and El-P. The best part is he actually managed to compose songs with gradual compositional changes, natural evolution instead of the sophomoric, immature transitionless beat changes on all his post 808s work. This album is to me, a bonafide classic, the best Kanye album. And people are going to hate it.
5 mics.
i think reviewers will like this album too,god damn this album curbstomps mbtdbbq
Kanye is basically the Tarantino of rap. Not really original in any way, but he synthesizes things from a ton of different sources and puts his own personality on it so well that you can't help but love it.
god damn this album curbstomps mbtdbbq
and just like Tarantino his old stuff is more enjoyable
I know it's so weird.This barely even feels like a hip hop album.
naw, Kill Bills and Inglorious Basterds are among his best.
naw, Kill Bills and Inglorious Basterds are among his best.
and just like Tarantino his old stuff is more enjoyable
I know it's so weird.
Kill Bill 1 was a mess. 2 was the shit.
I was expecting Esch to shit on the album, damn brehs. I'll wait for thabiz's "stuck in the 90s ninja" review tho, before I acquire the album.
Jackie Brown will never be topped. But Kill Bill is pretty decent (as a whole and individually, loved both films)
the reaction to this album by straight hip hop heads on the coli is hilarious
I wonder how much this album will change things. Will we see more people try out new sounds?
I wonder how much this album will change things. Will we see more people try out new sounds?
I wonder how much this album will change things. Will we see more people try out new sounds?
You mean in the mainstream. Because everything I've read about this album sounds like another case of Kanye mining the underground, giving it some polish, and getting credit for "creating" a sound.
You mean in the mainstream. Because everything I've read about this album sounds like another case of Kanye mining the underground, giving it some polish, and getting credit for "creating" a sound.
Same shit he did with soul loops. People still act like him and Just Blaze popularized that shit, as if RZA/Wu Tang Forever doesn't exist.
You mean in the mainstream. Because everything I've read about this album sounds like another case of Kanye mining the underground, giving it some polish, and getting credit for "creating" a sound.
Same shit he did with soul loops. People still act like him and Just Blaze popularized that shit, as if RZA/Wu Tang Forever doesn't exist.
Not that much. People are gonna recoil from this shit mostly. And the Underground already had these sounds.
Exactly.In many ways though this is one of the defining characteristics of hip hop music as a genre. Without other forms of music hip hop doesn't really exist at all, so i especially don't have a problem with it. The point is that it's engaging, powerful, and ambitious in how intense it is. The underground is the church and Kanye just did some missionary work. Maybe that's what he's best at truly, if you look at his career.
Black Skinhead makes me wanna get violent.