rocksteady1983
Member
Thread kinda seems to be dying. Any designers here unemployed and has done book design or heavy layout in the past?
What city do you live in and what schools were you thinking about taking classes at?
There's three big things to motion design:
- traditional graphic design sensibilities
- understanding the fundamentals of animation
- technical knowledge of how to operate the software
The first I think is best to learn at school, the second you learn through working on projects, the last you can teach yourself online.
The big job markets for motion design is LA and NYC, but there is some stuff in places like SF or Seattle. And there's always little jobs everywhere of course. I've spent many years doing rounds at most of the big LA shops so would be glad to answer any questions you may have that relate to that. I don't know much about how someone makes a living doing motion design outside of the major markets, though I'm aware quite a few people manage to do it.
Thanks for the response. I currently live in Tampa, FL. There are a few small places here that do motion design. I haven't done much digging on schools yet other then this one online place. http://www.mographmentor.com/
I believe that would help with the #2 on your list. I'm also doing small projects to learn what works and what doesn't. I have a BFA in graphic design so I do understand the traditional graphic design sensibilities. The technical knowledge I've already been working on. I've built a small demo reel of projects and would love to get into something entry level. Until I figure everything out I'll just keep learning by doing.
will this be the right place to talk about ui/ux design?
Now having the experience of having to rework whole catalogs, most in standalone files not in a package so I have to relink content in a database where the file hierarchy makes no fucking sense, with fonts missing and seeing that they for some reason only use illustrator the formatting seems all over the place...
Jesus Christ, people, just use InDesign and learn to package your shit.
Also for some reason they decided to make their own crop marks in the document itself rather than setting a bleed like any other sane person.
I've never heard of the site, but some of their mentors are definitely legit. Could be super interesting and seems reasonably affordable.
I have more experience with big projects at the big shops in LA, where things get specialized (lookdev, camera animation, styleframes, characters, whatever), but my understanding of small scale stuff is definitely that being a generalist is a huge plus. So as much as you can learn about everything (C4D!) will help you out.
If you take the class and want extra crits, feel free to post your projects here .
Show versatility in digital in your portfolio.I'm seeking advice from Graphic Design GAF.
I've been at my current job for 10 yrs doing graphic design. I mainly work in Illustrator and Photoshop. The work is mostly map related as this is a cultural research firm. We do archaeology and historic preservation type work. Though its been a good run I'm really over it. I've been applying to other jobs and had a few bites but nothing solid yet. I don't think my portfolio is as strong as it should be. The work I do here isn't exactly exciting enough to be shown. I have done mock pieces, but that may also be holding me back as they aren't for real world clients. Lately I've gotten into motion graphics and that's the field I want to move toward. I have a pretty good grasp of after effects and I'm learning cinema 4D. I can edit in Final Cut or Premiere. I'm just not sure what direction to go. I thought about going back to school for video but it's costly and a lot of the stuff I can learn on my own. The benefits would be the networking and having a degree in that field. I'm 34 and feel like it's now or never to get into something else. Sorry if this was to long. Any advice would be helpful.
1 - Use the quick mask tool with brushes to cut the outlines in the smallest details. Zoom in as much as you need to, use brushes as small as you need to. Like this https://www.youtube.com/watch?v=Kq86dITzH-ICan anyone point me to a proper Photoshop tutorials? I really have no idea what to search for...
Tutorial 1: let's say I want to cut a person out of "Image A" and then paste this person into "Image B" which is an unrelated landscape photo, how can I do that and make it look good?
I use the pen tool, cut, copy, and it looks like utter crap. I'm not trying to perform photo magic and make it look like the person in Image A was originally in Image B, it can look like a Photoshop, I just would like to get it to look as professionally Photoshopped as possible.
Tutorial 2: I'd also like a tutorial on how to fade a photo into the background. An example would be 70% of the image is the photo, 25% is solid black, 5% is the transition/fading between the two.
I'm trying to make a book cover for a friends simple e-Book. Any help is appeciated.
If this is not the thread for this then I will delete ASAP
Assuming I understand part 2 correctly, you'll basically want to apply a layer mask to the layer you want to modify and use the gradient tool on that mask. I'm gonna illustrate my point with a clipart ghost.Tutorial 2: I'd also like a tutorial on how to fade a photo into the background. An example would be 70% of the image is the photo, 25% is solid black, 5% is the transition/fading between the two.
I'm trying to make a book cover for a friends simple e-Book. Any help is appeciated.
If this is not the thread for this then I will delete ASAP
Thank you! No it's not you, I explained it poorly lol1 - Use the quick mask tool with brushes to cut the outlines in the smallest details. Zoom in as much as you need to, use brushes as small as you need to. Like this https://www.youtube.com/watch?v=Kq86dITzH-I
About #2 I don't think I understood it. Maybe it's because I'm drowsy right now.
Thank you for this! Just what I was talking aboutIt's been a while since I've checked on the thread, but Gerbils, I wanted to give a late thank you for the text stroke image because I forgot to do that when you first posted it. That helped me make a lot of sense of what was going wrong with the images. Time constraints forced me to use the old images anyway, but I've since been a lot mindful of if I should use the effect.
I think my biggest problem was that I was looking at Japanese magazines for inspiration, and they can use strokes a lot more freely since their letters are more block-based and don't have to worry about running into each other.
Assuming I understand part 2 correctly, you'll basically want to apply a layer mask to the layer you want to modify and use the gradient tool on that mask. I'm gonna illustrate my point with a clipart ghost.
Maybe there's a better way to do this, but here's what I did:
Does that help?
- Since I just needed to modify big blocks of the image, I clicked the "New Layer Mask" button" in the bottom right corner. This gave it an all-white mask, so nothing's hidden just yet.
- I then applied guidelines from the "New Guide" option in the View menu at the 70% and 85% points, horizontally.
- I then held shift as I applied a white-to-black linear gradient to the mask, starting from the 70% point, going downwards until I reached the 85% point. The gradient gets applied to that region, progressively hiding the image more and more as it descends, while everything above is filled with pure white (keeping it unchanged) as everything below is filled with pure black (completely hiding it).
Guys, behance, instagram, pinterest, dribbble or tumblr for portfolio? Everyone in my school advocates different things.
Realistically, do I want to put out my school projects? When is a good time to work on a portfolio? We're told to do it now, but when do you know if your stuff is good enough? I hate all my stuff after I spend a certain amount of time with it!
Guys, behance, instagram, pinterest, dribbble or tumblr for portfolio? Everyone in my school advocates different things.
Realistically, do I want to put out my school projects? When is a good time to work on a portfolio? We're told to do it now, but when do you know if your stuff is good enough? I hate all my stuff after I spend a certain amount of time with it!
So, I'm designing a visual identity manual for a laptop company as an exercise for college. Pretty cool. I'd like someone have their say on what it looks like... but I'm not posting it here, if someone is interested I'll pm you.
So, I'm designing a visual identity manual for a laptop company as an exercise for college. Pretty cool. I'd like someone have their say on what it looks like... but I'm not posting it here, if someone is interested I'll pm you.
I'll gladly provide some feedback.So, I'm designing a visual identity manual for a laptop company as an exercise for college. Pretty cool. I'd like someone have their say on what it looks like... but I'm not posting it here, if someone is interested I'll pm you.
Just a few of my mock designs for my portfolio.
Let me know what you think.
Damn it, copied the same image code twice. Edited.IMO they look pretty good, simple but beautiful. But the 'Fish' one is repeated.
Edit: Stamp Nouveau. It looks interesting, but what is it about? lol
Damn it, copied the same image code twice. Edited.
Stamp Nouveau is just a concept. It could be used for a book publisher logo.
Just a few of my mock designs for my portfolio.
Let me know what you think.
So, I'm designing a visual identity manual for a laptop company as an exercise for college. Pretty cool. I'd like someone have their say on what it looks like... but I'm not posting it here, if someone is interested I'll pm you.
Also, if this portfolio is for employment, it would be a great idea to include a couple of pieces where you've done a lot of typesetting just to show that you're capable of doing it properly. I've spoken to a bunch of designers that own studios who say that if a designer can't typeset well, they have zero chance of being hired. It's a pretty important skill to have.
The portfolio will be a physical printed brochure abd online. Both will feature the design process behind each design, as well as initial concept designs that never made it to the next step. The pie one was inspired by a local bakery in Stratford-upon-Avon, a historic town in the UK, hence the traditional colours, and the little scroll beneath the pie.Nice, the pie one is especially lovely to look at! But, in your portfolio are you going to have any explanation of the process behind the concepts and how you arrived at that design solution? Just curious, because although they look good, I don't know why they are the way they are. Just a thought!
I do have a few designs which rely solely on typeography and typesetting. The next time I have my HDD out, I'll upload a few. I'm not going to lie, typesetting isn't one of my strengths. It's not terrible, by a longshot, but there's room for improvement.Also, if this portfolio is for employment, it would be a great idea to include a couple of pieces where you've done a lot of typesetting just to show that you're capable of doing it properly. I've spoken to a bunch of designers that own studios who say that if a designer can't typeset well, they have zero chance of being hired. It's a pretty important skill to have.
Kitsuné;180547236 said:This!
Also, it would be great if your portfolio included some use cases. Don't just show a logo, but show it in action. On a business card, on stationary,... Showing some context does wonders for presentation, and it also shows that you can handle branding, basic layouts and typography.
The portfolio will be a physical printed brochure abd online. Both will feature the design process behind each design, as well as initial concept designs that never made it to the next step. The pie one was inspired by a local bakery in Stratford-upon-Avon, a historic town in the UK, hence the traditional colours, and the little scroll beneath the pie.
I do have a few designs which rely solely on typeography and typesetting. The next time I have my HDD out, I'll upload a few. I'm not going to lie, typesetting isn't one of my strengths. It's not terrible, by a longshot, but there's room for improvement.
Kitsuné;180602812 said:Any digital/ui designers in here? I had a print / branding focussed education, and now mainly do illustration work. As I'm getting more and more requests for digital work I was wondering what tools you guys use? I heard Sketch is great for ui design, and I just started a Flinto trial for prototyping. That last one seems like a nice step to Framer.js, but that's for when I feel like learning a new programming language.
Anything I'm missing, or other recommendations?
Kitsuné;180602812 said:Any digital/ui designers in here? I had a print / branding focussed education, and now mainly do illustration work. As I'm getting more and more requests for digital work I was wondering what tools you guys use? I heard Sketch is great for ui design, and I just started a Flinto trial for prototyping. That last one seems like a nice step to Framer.js, but that's for when I feel like learning a new programming language.
Anything I'm missing, or other recommendations?
HI
I need a small favor.
We need to print new receipts forms and other stuff and wanted to update our logo or make it more visually appealable. Any help will be greatly appreciated. Thanks in advance.
This is our current one (scanned, since we don't have access to the original file)
Oh man I wish I could help you out. My bank branch recently updated their UI for their atm and it looks great. a lot more information on screen while still being clean. They kinda used the windows 8 metro box approach with a lighter and brighter color palette.Good job, SystemBug! Gotta keep on practicing
And guys I need some help (again!). A friend asked me to make the UI for a kind of ATM he's making (I can't explain exactly what it is, but an ATM is what gets closer to it). But I know close to nothing of UI design. I actually made 3 mockups and sent to him, and he really liked one. But then he asked me to change a lot of things because the most recent version of the software has completely different options... and that made my work go to the drain. The way it was designed before simply doesn't work with the current version (which has a lot more information on screen).
I don't know what to do, I don't know where to look for inspiration, been looking on Deviantart, pinterest, behance... but I don't know exactly what to look for :s
Oh man I wish I could help you out. My bank branch recently updated their UI for their atm and it looks great. a lot more information on screen while still being clean. They kinda used the windows 8 metro box approach with a lighter and brighter color palette.
Can't you make a mock up to help me? I know that's asking a lot... but...
You know, just the general idea, it doesn't need to have all the details. Just so that I have an idea.
you know what? if you can wait until tomorrow ill take a walk down to my bank and record a video for you
Good job, SystemBug! Gotta keep on practicing
And guys I need some help (again!). A friend asked me to make the UI for a kind of ATM he's making (I can't explain exactly what it is, but an ATM is what gets closer to it). But I know close to nothing of UI design. I actually made 3 mockups and sent to him, and he really liked one. But then he asked me to change a lot of things because the most recent version of the software has completely different options... and that made my work go to the drain. The way it was designed before simply doesn't work with the current version (which has a lot more information on screen).
I don't know what to do, I don't know where to look for inspiration, been looking on Deviantart, pinterest, behance... but I don't know exactly what to look for :s
I can help you out with this if you haven't already updated the logo.HI
I need a small favor.
We need to print new receipts forms and other stuff and wanted to update our logo or make it more visually appealable. Any help will be greatly appreciated. Thanks in advance.
This is our current one (scanned, since we don't have access to the original file)
http://i.imgur.com/5yqwebj.jpg
EDIT: Forgot to put the file!!!! Silly me
That's what I can provide you with as for feedback.Does anyone here have some resources to step-up my typography game?
Self-judgment:
2) I have so few fonts in my arsenal. It's always the same. Century Gothic, Garamond, Impact, Helvetica Neue, Futura, Caslon. Almost everything I have is legible sans serif. I got no serif fonts I like, I got no scripts, I got no feminine fonts. I feel so limited. Anyone got any advice on a few fonts that you just gotta have, or styles you need to have. Could really use a solid script or two.
These are the typefaces I mainly use:
Sans
Serifs
- Abril Text (Type Together)
- Anonymous Pro (Mark Simonson)
- Avenir/Avenir Next (Linotype)
- Giorgio Sans (Commercial Type)
- Gotham (Hoefler & Co)
- Karmina Sans (Type Together)
- Klavika (Process Type Foundry)
- Locator/Locator Display (Process Type Foundry)
- Museo Sans (exljbris)
- Proxima Nova (Mark Simonson)
- Soleil (Type Together)
- Stockholm Type (not available through any foundry)
- Sweden Sans (not available through any foundry)
- Tablet Gothic (Type Together)
- Yoga Sans (FontFont)
I don't use many script typefaces unfortunately so I haven't got any specific recommendations. However, if I need any script typefaces I usually go to Intellecta Design or Laura Worthington. They have got many great script typefaces, you should have no trouble finding something you like.
- Austin (Commercial Type)
- Chronicle Display (Hoefler & Co)
- Hoefler Titling (Hoefler & Co)
- Museo (exljbris)
- Requiem (Hoefler & Co)
- Portrait (Commercial Type)
4) type is really hard. I feel this is the hardest thing I've encountered in graphic design so far. I can see why making a font could take years!
Indeed, and it's a deep rabbit hole to tumble down into. There's of course different levels of complexity for a typeface, but all faces, at least those for professional use, require hard work. MyFonts has got excellent blogs/articles on select typefaces and creators each month, check that out if you want a good source for insight on typeface creation.