Doesn't help that she releases albums like EA releases versions of madden
I mean frank ain't got the voice but his writing I think is far and away better then Justin's still the production and timberlake's voice carry this album.
So fake...
Yeah I think frank understand his voice is slightly above average so he HAS to be different. If not then what does he have going for him. Granted his voice is probably better than what any of us can muster its just not an A-lister voice. This is probably the main reason he talks a lot in his songs instead of singing. There's also heavy amounts of autotune used as well. With that being said Justin would never write songs like bad religion, lost, pink matter, or pyramids. Too much depth for him although there are exceptions. I still say timberlake is the better artist but frank is young (I think he's like my age so, 22-23) and has a lot of time to mature his sound.She put out an album in 2010 and an album in 2012. Pretty typical.
Anarchdroid was great but there is plenty of room for improvement. It was good because it was flashy, but only a few songs were actually great on their own.
Maybe this is why I can't understand Frank's hype. Personally don't care about lyrics.
Who claimed they were official?
There's a real way to do it?I'm referring to JT's whole act, to the vibe he's trying and failing to mimic.
There's barely a sense of joy on this album if you didn't know already that Timberlake married Jessica Biel last year, the album certainly wouldn't clue you in. That's fine, not every performer needs to be confessional, but it makes 20/20's very conscious move to maturity seem more suspect. Timberlake's acting and general persona have overtaken his public profile (see how little time recent interviews supporting this album spend on the actual music). Here he is merely playing a smooth, soulful singer. Grown and sexy is but another role, and it's barely deeper than his one in a shitty romcom like Friends With Benefits.
There's barely a sense of joy on this album
I like this album because it's joyful
Well not joyful really, but confident, optimistic, classy
most pop is simply "woe is me" or "here i am at the club" or "check out her boobs"
Gawker be hating.
my favorite bit
sounds like the writer's got beef w/ Timberlake as a person.
ah well, everyone's entitled to their .02
because that's about how much that review is worth.
You clearly don't listen to a lot of Pop then.
I listen to a vast amount. Including the shitty pop.
So why the blatant trolling of an entire genre?
I like this album because it's joyful
Well not joyful really, but confident, optimistic, classy
most pop is simply "woe is me" or "here i am at the club" or "check out her boobs"
My point is that pop songs rarely move past Love Songs, Party Songs and I'm Sad Songs.
And they really don't.
There's a real way to do it?
I dunno the Suit & Tie video seems to do it quite well.
Ugh, don't tell me we're in for another era of people who don't like pop music heralding Justin Timberlake as the "Savior of Pop". Got enough of that mess during FS/LS.
Still bopping to Strawberry Bubblegum, tho.
Lmao frank ocean knows when to end songs. Justin timberlake thinks everything needs a 6 minute outro
Channel orange obliterates this boredom
...you do realize that the vast majority of tracks on 20/20 are shallow Love Songs, right? So hopefully you're not excluding JT from your scathing criticism here.
the first song is excessively long. the rest doesn't feel that way to me so far.
listening to "mirrors" now. the beat sounds familiar to "what goes around..." which is kinda lame.
Probably why the album is utterly mediocre if that's the source of inspiration; and also explains why the album feels completely phoned in. Can't expect an alleged rampant cheater to write a line of sincerity regarding love.The whole album feels like its dedicated to Jessica Biel; also something that can be played at weddings.
Yeah, I don't really like how the first rack has that extended outro or whatever you want to call it. Really adds nothing to the song. Should have just ended at the 4 min mark. It's a pretty good opening track as is.
Not true. "There's a special place in hell for women who don't help other women" was even worse.THIS IS THE WRONGEST THING THAT HAS EVER BEEN SAID ON THE INTERNET.
Probably why the album is utterly mediocre if that's the source of inspiration; and also explains why the album feels completely phoned in. Can't expect an alleged rampant cheater to write a line of sincerity regarding love.
...you do realize that the vast majority of tracks on 20/20 are shallow Love Songs, right? So hopefully you're not excluding JT from your scathing criticism here.
Not true. "There's a special place in hell for women who don't help other women" was even worse.
What a cop out. It's the same trite, safe shit about love.Not entirely, but they're less admiration songs and more I'm awesome enough to have you songs.
This is a pitiful excuse. R&B by definition is supposed to be overboard and teeming with heart-on-your-sleeve emotion. If you don't like the thematic crux of 20/20, you should probably stop listening to R&B entirely.What a cop out. It's the same trite, safe shit about love.
In fact, that 20/20 is full of love songs speaks worse for Justine than most other acts. I wouldn't mind if Lady Gaga drops an album entirely about love since she spent a significant portion of her last project bickering about social issues; not the same for Justine, who's largely been regurgitating love concepts since the inception of his career. Does he not have anything else to talk about, or does his creativity have incredibly narrow limits?
POP GAF irrevocably shitting up this thread.
Album still fantastic.
At least he could bear to write* about love in more creative ways. Spaceship coupe is honestly the only interesting concept.This is a pitiful excuse. R&B by definition is supposed to be overboard and teeming with heart-on-your-sleeve emotion. If you don't like the thematic crux of 20/20, you should probably stop listening to R&B entirely.
This is a pitiful excuse. R&B by definition is supposed to be overboard and teeming with heart-on-your-sleeve emotion..
You must be sober today. xoxoI'll agree with that at least koo
And yet, Justine is a Pop/R&B hybrid rather than a pure member of the latter.This is a pitiful excuse. R&B by definition is supposed to be overboard and teeming with heart-on-your-sleeve emotion. If you don't like the thematic crux of 20/20, you should probably stop listening to R&B entirely.
Who exactly are you calling out? You're nebulously shouting at the sky at no one in particular, derailing the thread with your rambling, incoherent tirades devoid of any factual basis or even a solid point, apparently.You must be sober today. xoxo
And yet, Justine is a Pop/R&B hybrid rather than a pure member of the latter.
But that's not the point, anyway. The problem is the inherent hypocrisy in giving a pass to Justine for exessively writing about love and then lambasting other acts for doing the same. That shit will be called out.
The person I was replying to, cupcake. Perhaps do a read up before bursting a vein.Who exactly are you calling out? You're nebulously shouting at the sky at no one in particular, derailing the thread with your rambling, incoherent tirades devoid of any factual basis or even a solid point, apparently.