krypt0nian
Banned
DevelopmentArrested said:lol Grey's Anataomy, Boston Legal but no The Wire or The Shield? What a joke.
Boston Legal is just as amazing.
DevelopmentArrested said:lol Grey's Anataomy, Boston Legal but no The Wire or The Shield? What a joke.
Guzim said:Glad to see that this was the episode that they submitted for Entourage. It's one of the best, if not the best episode of the entire series.
Episode Selection: One Day in the Valley (Aired June 18th, 2006)
It may have aired over a year ago, but this second episode of the third season was the shows real season premiere after the fairly weak Aquamom that preceded it. With Aquamans release pending, the box office record of Spider-Man looms large. As Vince and Co. head out to watch the film amongst the masses, a heat wave hits California and the result is rolling blackouts. And this is not good news for Vince and the gang.
With Ari frantically watching the box office results from the East Coast and with the gang trying to find a way to occupy their time, they end up at a high school party helping out some nerds. As Vince stands on the roof addressing the kids, Ari shows up with the news: Aquaman has broken Spider-Mans record (Which was then shattered by Dead Mans Chest a month late in reality).
The episode isnt my favourite from the season, but I think that its the best submission because it is very easy to understand. Movie star is in hit movie, he wants hit movie to be a success, and he agonizes over it. Its conflict is resolved at the end of the episode, Ari has plenty of screen time (And conflict with Mrs. Ari, always good), and it feels like it captures those parts of Entourage that votes will latch onto. It has the Hollywood appeal, the personal charms, and is quite a good point for a first-time viewer to enter the series.
While fans of the series might not feel the episode indicates all of its best qualities, I think that Emmy panelists will like this episode far more than any others.
YouTube - One Day in the Valley
Aren't they using Company Man for acting for both actor and actress catagories?
heroes should never be there....NEVER....that show is a rip off of the 4400. how the **** did that god awful show make it anyway. 24 this season shouldn't even be in the top 20, hell, that ripoff of metal gear solid 2 story was funny bad. (but cool)
Solo said:No Losties? Boo!
LOS ANGELES - The Sopranos, the mob series that went to its grave with a shockingly inconclusive finale, found a happy ending Thursday with 15 Emmy nominations including best drama.
The made-for-TV movie Bury My Heart at Wounded Knee led all nominees with 17 bids.
James Gandolfini, who played the emotionally conflicted mob boss on HBOs The Sopranos, and Edie Falco, who played his wife, both received top acting nominations.
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The other best-drama series were Boston Legal, Greys Anatomy, House and freshman sci-fi sensation Heroes.
The Sopranos emerged with the most nominations for a series, followed by Ugly Betty with 11 and, with 10 each, sexy medical drama Greys Anatomy and critical favorite 30 Rock.
Greys Anatomy, which came through a difficult year in which star Isaiah Washington was fired after twice using an anti-gay slur, wasnt hurt when it came to Emmy bids. Besides best drama series, there were nominations for four supporting cast members and two guest actors.
The miniseries The Starter Wife also was a top nominee with 10 bids.
The freshman hit, Ugly Betty, based on a Colombian telenovela, made it into the ranks of best comedy series nominees. Its joined by Entourage, 30 Rock, Two and a Half Men and last years winner in the category, The Office.
Ugly Betty star America Ferrera was recognized with a nod for her starring role.
Joining Gandolfini among lead drama series actor nominees were Hugh Laurie of House, Denis Leary of Rescue Me, James Spader of Boston Legal and last years winner Kiefer Sutherland of 24. Last years drama series winner was 24 but it was snubbed this time.
Falco will compete with Patricia Arquette of Medium, Minnie Driver of The Riches, Sally Field of Brothers & Sisters, Kyra Sedgwick of The Closer and last years winner, Mariska Hargitay of Law & Order: Special Victims Unit.
Sedgwick got the news immediately. She helped announce bids for the 59th Annual Primetime Emmy Awards in a brief ceremony at the Academy of Television Arts & Sciences Leonard H. Goldenson Theatre.
Friday Night Lights, the critically acclaimed but low-rated high school football drama that needed an Emmy boost, failed to gain major nominations.
The Sopranos, which premiered in January 1999 and had an on-and-off cable run, capped its final episode this year with an ambiguous ending that left fans in the dark about the fate of lead character Tony Soprano, last seen sitting in a diner with his wife and children. A suddenly black screen suggested sudden violence or not.
The series other nominees included Michael Imperioli, who received a bid for best supporting dramatic actor for his role as the ill-fated Christopher. Aida Turturro, who played Tonys tough sister Janice, and Lorraine Bracco, who co-starred as his conflicted psychiatrist Dr. Melfi, were nominated for supporting actress.
Along with Ferrera in the lead comedy actress category were Felicity Huffman of Desperate Housewives, Tina Fey of 30 Rock, Mary-Louise Parker of Weeds and last years winner, Julia Louis-Dreyfus of The New Adventures of Old Christine.
Their actor counterparts included last years winner, Tony Shalhoub of Monk, Ricky Gervais of Extras, Steve Carell of The Office, Charlie Sheen of Two and a Half Men and Alec Baldwin of 30 Rock.
Like Greys Washington, Baldwin drew unflattering attention this year, in his case because of a leaked recording of an angry telephone call to his daughter, who is caught in a legal dispute with ex-wife Kim Basinger.
In June, judges screening potential nominees for the Academy of Television Arts & Sciences made their picks from a list of 10 top contenders for the best drama and best comedy series categories.
The top 10 lists given to the judges were based on polling of the general academy membership. Five nominees in each category ultimately were to be chosen, based on a combination of the panelists votes and the general polling.
The three-hour Emmy Awards ceremony will be broadcast Sept. 16 by Fox from the Shrine Auditorium.
Other Emmy honors, including those for technical achievement and guest actors and actresses in series, will be given at the creative arts ceremony on Sept. 8.
Stoney Mason said:
kottila said:The Wire has only one nomination ever, and none this year, despite being one of the most critically acclaimed tv-shows ever (best I have ever seen)?!
A shame.
Solo said:WTF at all the Lost snubs?
kottila said:The Wire has only one nomination ever, and none this year, despite being one of the most critically acclaimed tv-shows ever (best I have ever seen)?!
A shame.
Wait, BSG got major nominations?Coop said:Nice to see BSG get a couple of emmy nominations though..
thekad said:Heroes :lol :lol :lol
How does a show without any nominations in Acting, Writing, or Directing get nominated for Best Drama?
thekad said:Heroes :lol :lol :lol
How does a show without any nominations in Acting, Writing, or Directing get nominated for Best Drama?
White Man said:Booo at no Dexter love.
White Man said:Booo at no Dexter love.
By Devin Gordon
Newsweek
Updated: 8:35 p.m. ET July 19, 2007
July 19, 2007 - The two most-talked-about television events of the past year were "The Sopranos" series finale, in which Tony Soprano either did or didn't die in the final seconds, and the season finale of "Lost," which blew its audience's collective mind with (spoiler coming, sorry) a pre-crash, pre-island flashback that was actuallygotcha!a post-crash, post-rescue flash-forward. Whether you loved those episodes or hated them, those were two nights when television was king. When the 2007 Emmy nominations were announced at 5:30 a.m. in Los Angeles on Thursday morning, one of these shows was rewarded lavishly by the television academy, earning more nominations15than any other series. The other show got snubbed, big time. The reasons why this happened reveal a lot about how the Emmys work, and a lot more about how they don't.
The Emmys have always had a soft spot for nominating programs in their swan-song season, so no one was surprised when "The Sopranos" came up the big winner in the nominations game this year, earning nods for best drama series, best lead actor (James Gandolfini), best lead actress (Edie Falco) and a trio of nominations in the supporting-actor categories (Aida Turturro, Lorraine Bracco and Michael Imperioli). "The Sopranos" also nearly swept the writing category, taking three of the five nominations handed out. Of course, this wasn't just a nostalgia prize. "The Sopranos" is a history-making television drama.
But the Emmys are a peculiar beast. When a show is nominated for best in its category, it isn't really the entire show that's getting nominatedit's just one episode. There's way too much television for Emmy nominators to watch everything, so producers submit a single episode of their show, the one they deem representative of the program's overall quality. Then they cross their fingers and pray they've chosen wisely. Sometimes they don't. Many people in the TV industry believe that this wrinkle in the award process cost "Lost" a best-drama nomination in 2006: its producers submitted a mediocre episode, and the academy turned up its nose.
For the 2007 Emmys, "The Sopranos" submitted its series finale, titled "Soprano Home Movies." It was the natural choice, but a risky one, considering a certain five seconds at the very end of the episode managed to infuriate half the country. But whatever you think of how "The Sopranos" endedand personally, I can't make up my mindthere's no disputing that the episode was one for the ages. It was almost unbearably tense. Watching it, I kept taking deep breaths, sure I was going to have a heart attack at any moment. But like all great "Sopranos" episodes, it was also darn funny. Even the most famous detail in that controversial final sceneTony's jukebox choice, "Don't Stop Believin'" by Journeywas a deliciously sly joke. Tony's always had a soft spot for cheesy '80s rock.
The Emmy voters apparently didn't mind the head-scratching end of "The Sopranos." More likely, they didn't care. There was no way they weren't nominating a TV giant for its final bow. That said, it'll be interesting to see if antipathy for that abrupt ending costs "The Sopranos" an Emmy night victory in September. All of the other nominees in the category, especially ABC's "Grey's Anatomy," Fox's "House" and NBC's "Heroes," are popular network dramas, which the Emmys historically tend to favor. Remember, in its six seasons, the mighty "Sopranos" has only won this award once. So don't rule out an upset.
After winning the best-drama Emmy for its first season in 2005, "Lost" has now been shut out of the category two years in a row. But this time around, "Lost" didn't lose because its producers submitted the wrong episode. The show's third season was bumpy to say the least. About halfway through, many fans came close to writing it off entirely. But "Lost" recovered with a thrilling run of episodes at the end of the season, culminating with its instant-classic finale, titled "Through the Looking Glass." This was the episode that "Lost"'s producers submitted for Emmy consideration.
So what happened? You got me. The Emmys' odd, single-episode nominating process does put serialized dramas such as "Lost" in a tricky spot. It's impossible to appreciate an episode like "Through the Looking Glass" if you missed everything that led up to it. That's why so-called "procedurals"programs with self-contained story lines that wrap up in an hour, such as "Law & Order," "CSI" and, more recently, "House"have tended to fare well during Emmy nominations. But the process's natural bias against serialized shows didn't hurt "The Sopranos," or "Grey's Anatomy."
And here's the weird thing about this year's Emmys: it didn't exactly hurt "Lost," either. "Through the Looking Glass" earned well-deserved nominations in both the writing and the directing categories, but the show still failed to earn a nomination for best drama series. In other words, the academy decided that "Lost" was beautifully written and directed, but other than that, they weren't impressed. "Boston Legal" and "Heroes," meanwhile, earned only a directing nomination. And "House" was shut out of both writing and directing honors. Yet all three were nominated for best drama.
Of course, the Emmys have always been filled with bizarre quirks and egregious slights. Once again, HBO's stunning Baltimore crime drama "The Wire"which so many critics, including this one, have praised so relentlessly that we're becoming insufferablefailed to earn a single nomination. Zero. Nada. Meanwhile, HBO's original movie about crimes against Native Americans in the late 1800s, "Bury My Heart at Wounded Knee," which was so earnest and respectful that it put me to sleep in 20 minutes flat, collected more nominations than any other programanimal, mineral or vegetableon television with 17 total. The Emmys also have such an endless laundry list of categories that it's often hard to tell one from the other. Spike Lee's magisterial, heartbreaking Katrina documentary for HBO, "When the Levees Broke," was nominated for "Exceptional Merit in Nonfiction Filmmaking," a new award created in 2005 to honor programs with "profound social impact"but it was overlooked in the "Outstanding Nonfiction Series" category. Voters evidently preferred "Inside the Actors Studio."
I'll spare everyone my grumbling that "Heroes" was nominated for best drama over NBC's far-superior freshman program "Friday Night Lights," if only because the presence of "Heroes" in this group shows that Emmy voters are slowly correcting their longstanding bias against newcomers. (Remember when "Frasier" seemed to win best comedy every single year?) Three brand-new shows will compete for the top prizes this year: "Heroes" in the drama category, plus NBC's "30 Rock" and ABC's "Ugly Betty" in the comedy category. And voters proved they're actually paying attention to the ups and downs of old favorites. Last year's winner in the drama category, "24," was rightly ignored after a terrible season this time around. We'll have a new winner when the awards are handed out on Sept. 16, and my prediction is that "The Sopranos" will get the ending it deserves. But watch out for "House." In the comedy category, look for "Ugly Betty" to knock off NBC's defending champ, "The Office." The Emmys haven't gotten smart, but they are slowly getting hip.
White Man said:Booo at no Dexter love.