It might be a cliche, but it seems almost impossible to avoid commenting on Mary Robinette Kowals debut novel, Shades of Milk and Honey, without referring to Jane Austen and her classic works of literature. Its a comparison encouraged by Kowal (who cites Austen as an inspiration for the novel) and her publishers, but lifts expectations to sky-high proportions. For those unfamiliar with Austen the draw of the novel is more likely the melding of classic period literature with the fantastic in the form of glamour, a type of soft magic used by high-society to decorate their homes and enhance theatre. It wouldnt be unfair of a reader to think of the novel as Beauty and the Beast told from the perspective of the Beast, a play on the classic tale that Kowal herself subverts with some tongue-in-cheek within in the pages of Shades of Milk and Honey; or, if youre feeling very coy, you might describe it as Pride and Prejudice and Zombies without the zombies.
Ostensibly, because of the inclusion of glamour, Shades of Milk and Honey is a Fantasy novel. The ultimate compliment I can payho the novel, however, is that it succeeds even more greatly on its merits as a period drama. The true strength of the novel is protagonist Jane Ellsworth and her often funny, sometimes sad struggles as she tries to juggle her way through the myriad relationships and politics of a well-to-do noble daughter in 19th century England.