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n/a Ae Dil Hai Mushkil
metacritic:
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‘Inferno’ Fizzles With $15 Million As ‘Madea’ Pulls Off Victory
This is how a franchise ends.
“Inferno,” the latest big screen adaptation of Dan Brown’s historical conspiracy theories, flamed out at the weekend box office, earning a frosty $15 million. That’s a fraction of the $46.2 million that “Angels & Demons,” the previous film in the series, earned when it debuted in 2009, and it pales in relation to “The Da Vinci Code’s” $77.1 million opening way back in 2006.
“Inferno” couldn’t muster a strong enough debut to capture the top spot on the domestic box office chart. Lionsgate’s “Boo! A Madea Halloween” nabbed first place for the second consecutive weekend, picking up $16.7 million to bring its stateside total to $52 million. The Tyler Perry comedy’s victory is an upset. Heading into the weekend, “Inferno” was expected to kick off to well north of $20 million — a figure that easily would have secured a first place finish.
“Inferno” finds Harvard cryptologist Robert Langdon (Tom Hanks) grappling with amnesia as he tries to piece together clues in order to prevent the release of a global pandemic. Reviewers vivisected the film, leaving it with a 20% “rotten” rating on critics aggregator Rotten Tomatoes.
Strong foreign grosses could be enough to pull “Inferno” out of the red. The film has earned roughly $150 million overseas. Sony, the studio behind the film, also reined in “Inferno’s” production budget. The picture cost $75 million to make, half the budget of “Angels & Demons.”
Still, the results are disappointing, particularly for director Ron Howard, who could use a hit. Once a reliable purveyor of popcorn fare with a certain prestige sheen — films such as “Apollo 13” and “A Beautiful Mind” — the director’s commercial radar has been faulty, of late. His recent efforts, such as “In the Heart of the Sea,” “The Dilemma,” and “Rush” all lost money. “Angels & Demons” was his last major studio movie to turn a profit.
“Jack Reacher: Never Go Back” snagged third place with roughly $9.6 million. The Tom Cruise thriller has earned $39.7 million in two weeks of release.
Fourth place went to Warner Bros.’ “The Accountant,” which added $8.5 million to its $61.3 million haul. “Ouija: Origin of Evil” rounded out the top five, earning $7.1 million to bring its domestic total to $24.6 million.
In its second weekend, “Moonlight,” a critically acclaimed coming-of-age story, expanded nicely from four to 36 screens, earning $900,826 in the process. The A24 release is expected to be an Oscar contender. It has earned $1.5 million so far.
More to come…
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