I hope everyone on both sides is disappointed.
#BurnEverything
Why do you hate us?
I hope everyone on both sides is disappointed.
#BurnEverything
Well, it did make more than 700 million dollars worldwide. It might not seem like much these days but it is a respectable number even though Sony was disappointed.
Why do you hate us?
Doesn't really mean much. The hardcore fans were going to see this right away even it the RT was 0%.
I've seen both the best and the worst of humanity.
Both are contained in the Batman v Superman review thread.
Then what does that make you?
Spider-man went from the biggest comic film property of all time to being outgrossed by every comic flick of 2014. Hence the disappointment.
It would be like Star Wars Rogue One making less than Star Trek Beyond.
Suckers. Word of mouth will not be good towards this movie.
Sure it does. It tied or beat Avengers Ultron and that was coming off the huge blockbuster Avengers. It's huge. Don't down play it.
In hindsight, the consistency of the Twilight films is really remarkable, especially in light of the Hunger Games films' dropping quite a bit after 2, and the Divergent series completely falling off a cliff.
Without knowing the performance for Friday/Saturday/Sunday, I wouldn't say its huge. Didn't we already know this movie had tons of pre-sale tickets before the reviews came out?
says who? I've seen equal amounts of praise and hate from user reviews.
It's telling that people can only cite Transformers when they talk about movies that are critically panned but still do well.
I think it's because the Transformers movies did SO well that they stay front of mind. The discrepancy between the critical consensus and the financial take is so wide that it sorta overshadows any other example.
BUT, leaving out Transformers films:
Twilight: New Moon - 29% RT score, 296mil domestic
Alvin & the Chipmunks: The Squeakquel - 21% RT score, 219mil domestic
Alice in Wonderland: 52% RT Score, 334mil domestic
Twilight: Eclipse - 49% RT Score, 300mil domestic
Hangover Part II - 34% RT Score, 254mil domestic
Pirates: Stranger Tides - 32% RT Score, 241mil domestic
Man of Steel: 56% RT Score, 291mil domestic
Oz the Great and Powerful: 59% RT Score, 234mil domestic
Maleficent: 49% RT Score, 241mil domestic
Teenage Mutant Ninja Turtles: 21% RT Score, 191mil domestic
Amazing Spider-Man 2: 53% RT Score, 202mil domestic
That's going back to 2009. (I stopped counting Twilight sequels halfway through, too.)
What you see there is a thing that Hollywood's understood for quite awhile now: Branding trumps pretty much every other factor when it comes to receipts.
It does, however, have an effect on future sequels (well, not named Twilight, I suppose), which should be a lesson that Hollywood learns but tends not to due to overseas audiences coming to the rescue.I think it's because the Transformers movies did SO well that they stay front of mind. The discrepancy between the critical consensus and the financial take is so wide that it sorta overshadows any other example.
BUT, leaving out Transformers films:
Twilight: New Moon - 29% RT score, 296mil domestic
Alvin & the Chipmunks: The Squeakquel - 21% RT score, 219mil domestic
Alice in Wonderland: 52% RT Score, 334mil domestic
Twilight: Eclipse - 49% RT Score, 300mil domestic
Hangover Part II - 34% RT Score, 254mil domestic
Pirates: Stranger Tides - 32% RT Score, 241mil domestic
Man of Steel: 56% RT Score, 291mil domestic
Oz the Great and Powerful: 59% RT Score, 234mil domestic
Maleficent: 49% RT Score, 241mil domestic
Teenage Mutant Ninja Turtles: 21% RT Score, 191mil domestic
Amazing Spider-Man 2: 53% RT Score, 202mil domestic
That's going back to 2009. (I stopped counting Twilight sequels halfway through, too.)
What you see there is a thing that Hollywood's understood for quite awhile now: Branding trumps pretty much every other factor when it comes to receipts.
It does, however, have an effect on future sequels (well, not named Twilight, I suppose), which should be a lesson that Hollywood learns but tends not to due to overseas audiences coming to the rescue.
Domestic grosses for various "rotten" franchise:
Pirates: 305 - 423 - 309 - 241
Transformers: 319 - 402 - 352 - 245
Alvin: 217 - 219 - 133 - 85
Hangover: 277 - 254 - 112
Domestic audiences have been very unkind to threequels and fourquels to bad films. And we'll see how things go for the Snow White and Alice sequels this year.
Whats going to be interesting is seeing the Cinescore
It does, however, have an effect on future sequels (well, not named Twilight, I suppose), which should be a lesson that Hollywood learns but tends not to due to overseas audiences coming to the rescue.
Domestic grosses for various "rotten" franchise:
Pirates: 305 - 423 - 309 - 241
Transformers: 319 - 402 - 352 - 245
Alvin: 217 - 219 - 133 - 85
Hangover: 277 - 254 - 112
Domestic audiences have been very unkind to threequels and fourquels to bad films. And we'll see how things go for the Snow White and Alice sequels this year.
http://variety.com/2016/film/news/wb-batman-v-superman-faces-high-expectations-1201729887/It will do fine. It seems to be split along the middle, so some positive wom it's going to get.
I think it will be a similar case to MoS, proportionally speaking. Won't break records, will fall a little bit short of expectations, will do well enough to carry on from it.
I'm part of the problem but boy did it suck. The audience reaction at my theater was pretty tepid. I'm predicting a great first weekend and an insane drop.
Whats going to be interesting is seeing the Cinescore and how the legs hold up.
I wonder how many of those tickets were bought prior to this week's review onslaught?
Opening previews are pretty useless indicators of overall weekend performance, even within the same genre.
At best, we can conclude that the weekend take will be north of $125M, but that was already a given.
Good job doing the research I wasn't willing to do.I think it's because the Transformers movies did SO well that they stay front of mind. The discrepancy between the critical consensus and the financial take is so wide that it sorta overshadows any other example.
BUT, leaving out Transformers films:
Twilight: New Moon - 29% RT score, 296mil domestic
Alvin & the Chipmunks: The Squeakquel - 21% RT score, 219mil domestic
Alice in Wonderland: 52% RT Score, 334mil domestic
Twilight: Eclipse - 49% RT Score, 300mil domestic
Hangover Part II - 34% RT Score, 254mil domestic
Pirates: Stranger Tides - 32% RT Score, 241mil domestic
Man of Steel: 56% RT Score, 291mil domestic
Oz the Great and Powerful: 59% RT Score, 234mil domestic
Maleficent: 49% RT Score, 241mil domestic
Teenage Mutant Ninja Turtles: 21% RT Score, 191mil domestic
Amazing Spider-Man 2: 53% RT Score, 202mil domestic
That's going back to 2009. (I stopped counting Twilight sequels halfway through, too.)
What you see there is a thing that Hollywood's understood for quite awhile now: Branding trumps pretty much every other factor when it comes to receipts.
Hell, even if you take into account factors like release timeframe, it's not that reliable.. Closest comparison I could think of was Captain America: The Winter Soldier, and that only made $10 million in Thursday previews. (BvS will obviously open significantly higher, but not 2.7 times higher.)
TF and Pirates look better than they do, considering their first films were the audience favorites of their respective years.Even using domestic totals, Transformers and Pirates are only down about 20% over the original film after several shitty sequels. I mean, $240M is basically in the same range as films people really liked (Star Trek 09, Days of Future Past, The Winter Soldier), so the brand is still overpowering quality.
If a comic book film gets less than an A Cinemascore, it should raise some eyebrows. And even then, it can mean very little. Ultron got an A and still had some very weak legs.True. But it's also worth noting that MOS got an A- CinemaScore rating, and that that didn't translate into particularly impressive legs.
If a comic book film gets less than an A Cinemascore, it should raise some eyebrows.
For $12+? Mediocre is not good enough.I saw it last night in a semi packed theater, even if it was a 0% total shit show I would have went
Batman x Superman in a movie on the big screen, for $12 sure i'll see it
the real test is weeks 2 and 3, see how big of a drop it is, I still think people should go, its just ok and thats good enough for movies these days
It's at 44M in two days overseas.
http://deadline.com/2016/03/batman-...-box-office-results-international-1201725677/
Uhhh, is that bad?
It's at 44M in two days overseas.
http://deadline.com/2016/03/batman-...-box-office-results-international-1201725677/
For $12+? Mediocre is not good enough.
Sorry, I want to get my money's worth.
Amazing Spider-Man 2's total budget including marketing neared $400 million, which is why Sony went into panic mode when it made $700 million. (For reference, Sony doesn't have the merchandise rights for the IP, so they couldn't make up for it with merchandise sales.)Well, it did make more than 700 million dollars worldwide. It might not seem like much these days but it is a respectable number even though Sony was disappointed.
Amazing Spider-Man 2's total budget including marketing neared $400 million, which is why Sony went into panic mode when it made $700 million. (For reference, Sony doesn't have the merchandise rights for the IP, so they couldn't make up for it with merchandise sales.)
That is definitely on you, but I could easily spend more at Burger King... The last time 12 measly dollars bothered me, I was in college. If you are in a financial position where that 12 is a chunk of your discretionary income, then I understand.