MorisUkunRasik
Member
Illmatic isn't a classic, need half a century to pass to see if it's still listenable
By certified I mean validated by time, nothing more. There doesn't need to be a Complex list or an authority necessarily.
Game - maybe, but he's a flavour-of-the-month-flow guy anyways, then again I haven't heard Jesus Piece yetOkay I'll admit I'm making assumptions, but these are a few artists I believe have already been influenced by Kendrick...The Game, Schoolboy Q, Dr. Dre, Rocky, and Lady Gaga.
I don't think of validation along any of those dimensions. Impact and encapsulating a time period I'd put under my other criteria, which is influence. I think of validation strictly when it comes to the quality. Can you go back to those songs days/months/years/decades/centuries/millenia later and still relatively enjoy them as much as you did when it came out?And then you get into what constitutes validation. Is it impact? Not necessarily. Is it encapsulating a period of time perfectly? Not necessarily. Is it being unique in an ocean of homogeny? Not necessarily.
Which is why getting heated about this classic shit is stupid. People knew Doggystyle was classic on release, for instance. Some are revealed to be classic with time. Some "classics" are forgotten with time.
I don't stick the "classic" label on movies TBH, just differentiate for good and bad. But I do think things that make a good movie are rewatchability (I guess being certified timeless). Influence, I could give less of a fuck, probably because I can perceive influence much better in music than I can in movies.
Plus I'm weird and like everything from Pulp Fiction to Fast and the Furious. I like cheap thrills in movies more than I do in music.
This is a good point. Can't really say much else but stick to my guns that you need to wait that arbitrary time for this to happen before you know for sure this is the truth and not just a prediction.Throwing a vote into the GKMC is a classic hat. It has all the elements of a good rap album, while preserving his creative uniqueness and enjoying commercial success. It's also extremely cohesive, which is something that most rap joints just aren't nowadays. It touched the core of hip hop to a greater degree than most albums ever have, and did so while in the spotlight. It told a personal story in a way anyone could understand and appreciate. It has layers and surface appeal.
Everyone was expecting or fearing mediocrity - instead we got greatness.
This shit is a classic. Nothing above will change five years from now. This is a touchstone. Every good debut album will be compared to this. Every cohesive album that tells an overarching story, going forward, will be measured against GKMC.
Enzo plz. You were a fetus when most these classics came out, so it's no wonder you don't get instant classic status. Also, haven't you been saying MBDTF is a classic? By what metric of your fucked up definition are we using here to declare that shit?
Marvel sucks, Iron Man is shit tier and Kanye is never going to message you back on Twitter. Stop.
I think Q can release a fucking terrific debut. Really excited. He also recently said he's working on his "album", not mixtape like previously said.tl;dr: GKMC is a classic until Q launches his major label debut and snuffs out Kendricks little hype fire in the process
YACK YACK YACK YACK
I need some new music cause Kendrick has been taking up all my time. Seriously.
*turns on Pandora*
One thing GKMC has going for it is the universal praise though.Whether something is a classic really isn't subjective, at least it shouldn't be.
I also wouldn't want people to think that I don't like GKMC, it's by far my favorite album this year, but I definitely don't like throwing around the word classic when describing stuff that I like. There's a bunch of albums I personally don't like but have no problem admitting them being classic albums because I can recognize the impact thy had and see the recognition and praise they get practically everywhere.
I still didn't get that from GKMC, not saying I won't, but all I wanted was to point out how early it is to call it a classic album.
I'm only scared about production. Same way I was for Kendrick. Exact same fear in my head right now. Bigger name producers don't necessarily mean more suited beats, and the TDE crew already do tremendously well complimenting all of TDEs styles except for Jay Rock I guess.I think Q can release a fucking terrific debut. Really excited. He also recently said he's working on his "album", not mixtape like previously said.
Visit the album of the year thread and the electronic thread and search for artists on youtube and or Spotify...Profit.
One thing GKMC has going for it is the universal praise though.
Like literally the entire universe, and for the first time ever, all of GAF-Hop. The only person in the universe who doesn't like it is Shyne Po.
Same. They really don't need to change that much. As far as in house goes, they've been getting nice production for a few years now. TDE has done them well, no need do Ethan much change. Also, pick good features. Q seems to have a lot of people backing him though. Danny and ASAP would be awesome.I'm only scared about production. Same way I was for Kendrick. Exact same fear in my head right now. Bigger name producers don't necessarily mean more suited beats, and the TDE crew already do tremendously well complimenting all of TDEs styles except for Jay Rock I guess.
Danny Brown has a UK plan?
Clyde Clarkson is cool, but dude just sounds too lazy like beyond Spitta levels on many of these tracks, also after E-40 comes on I just wish he was featured on every song.
]I think it's telling that when GKMC dropped, boys didn't tether it to MotM[/B], Below the Heavens or TCD. They went all the way back to Illmatic.
GKMC gets under your skin. It tells a human story in a provocative manner. You don't object to the content - you can't. Kendrick is in full control of everything on this album. Every feature takes cues from his example, and fits in around his story, like true background characters. And no one can tell him shit.
Unless our sensibilities are completely overwritten in the near future, the reasons you liked GKMC on release is the same reason you'll like it next year and the year after. Like a true classic album.
You know it's a classic when it'll take the human singularity event to remove affections for the album.
Clyde Carson my fault.
Those boys be trippin son. GKMC is not worthy of elevation to Illmatic status. We ain't even about to argue about it either.I think it's telling that when GKMC dropped, boys didn't tether it to MotM, Below the Heavens or TCD. They went all the way back to Illmatic.
GKMC gets under your skin. It tells a human story in a provocative manner. You don't object to the content - you can't. Kendrick is in full control of everything on this album. Every feature takes cues from his example, and fits in around his story, like true background characters. And no one can tell him shit.
Unless our sensibilities are completely overwritten in the near future, the reasons you liked GKMC on release is the same reason you'll like it next year and the year after. Like a true classic album.
You know it's a classic when it'll take the human singularity event to remove affections for the album.
Those boys be trippin son. GKMC is not worthy of elevation to Illmatic status. We ain't even about to argue about it either.
Misread that at firstI will consider GKMC a classic when artists in the next crop and further start dropping it as a major influence and has had a major impact on the musical landscape. Until then its just a album, that may or may not be good.
I wasn't implying it was as good as Illmatic. I was saying that, as a debut, the album people wanted to compare it against was Illmatic, and not far more contemporary albums, which are also good themselves.