Francis Ford Coppola's Sucker Punch
Yeah I'm not so sure I want to watch this...
Unless its Nathalie Emmanual being there to hand feed me popcorn and blot my lips with a dainty napkin...NOT INTERESTED!Also, heads up, there are Ultimate Experience screenings that have a live in-theater component. Sounds a bit strange, but it'll probably be memorable.
There is an ideal version of Sucker Punch I WANT to love. Seeing how the hard R versions of Rebel Moon changed the story, I gotta think there is a 'better' version of SP out there.I loved Sucker Punch.
Absolutely blasted by Kermode, he said and I quote "one of the worst films i have ever seen"
I normally don't let reviews put me off but this sounds so so bad.I’m interested, it apparently has The Fountainhead vibes. Might catch it during the week.
If you’re a good director, you don’t need another version.There is an ideal version of Sucker Punch I WANT to love. Seeing how the hard R versions of Rebel Moon changed the story, I gotta think there is a 'better' version of SP out there.
But DAMN, that was the harshest "red tomato" review I've ever seen, talk about "damning with faint praise"!
Absolutely blasted by Kermode. He said and I quote: "One of the worst films I have ever seen."
Absolutely blasted by Kermode. He said and I quote: "One of the worst films I have ever seen."
Are we really still relying on Rotten Tomatoes and modern critics to make a judgements on films?
Nothing has changed with critics, but everything else has changed. They’re no longer tastemakers, just another opinion out of thousands. Still useful to follow if you align with a critic’s opinions, but on aggregate they’re no more useful than the audience aggregate. Sometimes less so.If you don’t like to rely on critics, fair enough, but nothing has really changed in how they operate aside from the Internet making it easier to roughly average their scores.
None of that makes any sense. So should I watch it in IMAX or is standard enough?Well that was certainly something!
It’s absurd, naive, pseudo-intellectual, badly acted, badly directed, badly edited, and a really good time. Thumbs up.
I watched it in IMAX. You’ll like it if only for the Natalie Emmanuel screen time.None of that makes any sense. So should I watch it in IMAX or is standard enough?
Ohhhhh, tell me more....she said she was done with the adult stuff, did Scorsese change her mind?I watched it in IMAX. You’ll like it if only for the Natalie Emmanuel screen time.
It’s, well, something like a fairytale version of the story of Julius Caesar if he lived in alternate universe late stage empire New York City as a genius designer.Ohhhhh, tell me more....she said she was done with the adult stuff, did Scorsese change her mind?
And is this an action film, a thriller, or what?
Also, the critics being modern has jack and shit to do with anything. Even Ebert made some baffling calls (“I’m giving Gladiator 2 stars because the theater I went to had a bad screen!”) and came with his own personal biases (he got full on judgmental to the people who made the Friday the 13th films, even Siskel had to be like, “okay, I think you might be overreacting”). Every critic makes mistakes, has their own biases and preferences, miss details, etc. It was always this way, and it will always be this way.
If you don’t like to rely on critics, fair enough, but nothing has really changed in how they operate aside from the Internet making it easier to roughly average their scores.
Yeah, I switched over to the Ultimate Experience screening when I found out about it. It was brief, but neat.EviLore did you have the person interacting with the movie in your showing?
You definitely have me curious lol
That's really cool you got to see that. I read about it happening at Cannes and figured it would be a one off thing that they wouldn't be replicating or might just happen at a few special events. I wish I could experience it since there's a good chance we'll never see anything like it again but there aren't any screens near me offering it.Yeah, I switched over to the Ultimate Experience screening when I found out about it. It was brief, but neat.
If you’re curious, just go. Most of the other movie releases this year have been so forgettable, but I’m glad I saw Megalopolis in the theater. It is very charming. Even if you end up thinking it’s terrible (I don’t think it is), it won’t be a dull, mediocre terrible.
I loved Sucker Punch.
Shit, it was looking forward to this...
Hah, probably not!I wonder if this is another Apocalypse Now where it gets ridiculed upon release but 30 years down the line it is considered an all time classic and an incredible achievement in filmmaking.
You do, if the Studio takes away your r-rated final cut and then makes their own shorter pg-13 cut or is telling the director that his version is too long, too weird, too complicated or whatever. Directors very often aren't really allowed to release their final cut. Happens to Ridley Scott a lot. I mean there are 7 versions of Blade Runner and only the last one was approved by Scott (and even called Final Cut.)If you’re a good director, you don’t need another version.
They’re worlds apart. Megalopolis is full of talented actors hamming it up intentionally to try to distill its themes down to their base elements in a weird adult storybook way. There may be some unintentional humor, but it’s hard to say for sure, since it is a satire of the modern world.LOL people are comparing it to The Room.
Sounds like my kind of film. I kind of got that vibe from the latest trailer, I hope I end up enjoying it.Well that was certainly something!
It’s absurd, naive, pseudo-intellectual, badly acted, badly directed, badly edited, and a really good time. Thumbs up.
I mean maybe, but Snyder thinks he’s hot shit and has done it with a few of his major movies and quite frankly it didn’t make them better. It just made them longer.You do, if the Studio takes away your r-rated final cut and then makes their own shorter pg-13 cut or is telling the director that his version is too long, too weird, too complicated or whatever. Directors very often aren't really allowed to release their final cut. Happens to Ridley Scott a lot. I mean there are 7 versions of Blade Runner and only the last one was approved by Scott (and even called Final Cut.)
The extended version of Sucker Punch is much closer to what Snyder actually wanted to release.
edit: okay, maybe the director's cut of blade runner was scott approved too. I've read that they only called it DC but he had nothing to do with it.