I usually shoot for bag colors that aren't flashy or eye catching. I have a black, metallic gray and green bag.Well I went ahead and ordered one of the last, apparently, X Pro1s with XF27mm from BH for 700$. Probably will either get the XF 35mm 1.4 and/or the 56 1.2 as well.
Now I need a camera bag, anyone has the Domke F5XB? I'm not sure if I want it in black or one of the other colors.
I usually shoot for bag colors that aren't flashy or eye catching. I have a black, metallic gray and green bag.
Were you using stabilised lenses when shooting handheld? Footage looks great.Shot with the Canon 1DX mkII Saturday and Sunday. Lots of handheld, occasionally used a tripod around the greens. There's no rhyme or reason to the sequencing, just wanted to throw some shots together for my boss to see.
https://vimeo.com/168557127
Really enjoyed shooting with it. Shot primarily in 1080/60, had a couple 1080/120 and even dabbled with the 4K. Loved shooting with it. Just need to get some ND filters and call it a day.
I'm going to put together another highlight clip from Sunday's round once I fly home tonight.
**Note, this is out of camera, no color correction.
70-200 2.8L (stabilized), 16-35 2.8L (not stabilized). And thanks! Had so much fun shooting.Were you using stabilised lenses when shooting handheld? Footage looks great.
70-200 2.8L (stabilized), 16-35 2.8L (not stabilized). And thanks! Had so much fun shooting.
Looking forward to the U.S. Open in two weeks, gonna go nuts with photos I think.
You're actually at 75mm with that lens, learn to zoom with your feet, but eventually you'll get used to it. Great lens too.Got my first 50mm today (a Nikon AF-S 1.8 G) and man, I didn't notice how much I rely on the zoom of the kit lenses.
I need to go out and take more photos, I've been lazy these last few months.
You're actually at 75mm with that lens, learn to zoom with your feet, but eventually you'll get used to it. Great lens too.
What? I'm just telling him the focal length of the lens due to crop factor. It's still technically 50mm...then again I have no idea what his camera is. I think because he said kit lens I assumed he was on a crop sensor.Let's not misnomer it here -- it's *behaving* like a 75mm. The lens doesn't change. I know you know the difference, but maybe Adnor doesn't.
What? I'm just telling him the focal length of the lens due to crop factor. It's still technically 50mm...then again I have no idea what his camera is. I think because he said kit lens I assumed he was on a crop sensor.
Oh ok, though 35mm apsc lens would be a vignetting disaster on a full frame at least wide open though. Which oddly enough I've had discussions with a coworker that thinks he could use the Sigma 18-35 on an A7 without their being an issue. I know there would be vignetting there.I've known people who got it confused, and thought that it was the lens that determined the FoV, as in a 35mm apsc lens would "be" a 50mm on a full frame, due to how people have worded that in the past. So I've gotten in the habit of making sure to say "behaves like" to avoid that. Like I said I know you know the difference but I don't know if adnor does.
Oh ok, though 35mm apsc lens would be a vignetting disaster on a full frame at least wide open though. Which oddly enough I've had discussions with a coworker that thinks he could use the Sigma 18-35 on an A7 without their being an issue. I know there would be vignetting there.
Oh ok. I thought that you really couldn't use apsc on ff unless you stopped it down a lot or zoomed in completely. I guess it's on a lens by lens basis then.I can use my 30mm prime on the A7, and it has minimal vignetting. Basically I just crop it down to a "35mm" and it looks great. Ultimately, it's all about coverage, not any hard cap, and some lenses can cover more of a sensor than is needed. There's a 60mm macro that's designed for APSC, and only covers the entire sensor in APSC at regular focusing distances, but covers an entire FF sensor once you start focusing closely.
I mean shit, the APSC 16-50 doesn't even cover the whole of the APSC sensor.
So the 18-35? Iunno. It very well could cover a whole FF sensor, at least at some ranges.
Oh ok. I thought that you really couldn't use apsc on ff unless you stopped it down a lot or zoomed in completely. I guess it's on a lens by lens basis then.
You never know, that thing is pretty sizeable.Yeah, the Sigma 30 is definitely more the exception than the rule. 95% of lenses will be heavily vignetted and only cover the apsc sensor well, but there's nothing stopping a manufacturer from having larger coverage than needed. And hey, Sigma did it for the 30mm prime, maybe they did it for the 18-35.
Any thoughts on Canon 85mm prime?
I'm leaning towards either...
Tamron 85mm f1.8, recently released @ $750, getting great reviews
http://www.amazon.com/gp/product/B01CIXJLI8/?tag=neogaf0e-20
Sigma 85mm f1.4 @ $869 that I guess is being discontinued soon for an "Art" version
http://www.amazon.com/dp/B003NSC2WU/?tag=neogaf0e-20
or the non-L Canon 85mm f1.8 (my pro photographer buddy says this is his favorite lens).
My Sigma 50mm f1.4 is probably my favorite lens I've ever used and I could probably find a decent used version for around $600 or so as it's been on the market for awhile.
Damn. I told my coworker it would create vignetting. People must be center cropping or something cause he says that a lot of videographers use that thing. I have no clue what they're shooting with, but at least my intuition on that one was right.Nope.
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Damn. I told my coworker it would create vignetting. People must be center cropping or something cause he says that a lot of videographers use that thing. I have no clue what they're shooting with, but at least my intuition on that one was right.
Thank you and it does make sense. I did hear that there's even more of a crop with some cameras in 4K mode.Many times a cameras video mode will use a cropped portion of the sensor so these lenses may be suitable for video but would display substantial vignetting in stills.
Yeah, I knew a little about how the crop factor of my camera (a D3200, so a DX sensor) affected the lenses, but not exactly how, thanks JadedWriter and H3XAntiStyle ��
I traded my A6000 for a Fuji X100s a couple months ago because I never used any lens other than the 35mm prime. I love most things about the X100s but I haven't been able to achieve the image quality I was expecting after hearing about the hype the past few years. I mainly shoot with AF-S with the focus point at its largest, moving it to the subject whenever I take a shot. Other than that, just the default settings. Any suggestions for making the most out of the X100s, especially for landscape/city shots (settings, etc)? Thanks!
Default settings? Are you using P mode?
If you're having image quality settings, without knowing more, I'd say it might be a combination of doing Jpeg instead of RAW, and high ISO ratings holding you back. Those are the main two things that would do that IMO.
Are you post processing anything?
I shoot in P and A mostly and keep the ISO (capped at 3200), WB, etc at auto. No post processing yet but I shoot in RAW + JPG in case I ever need to do any.
You should probably try taking more control regarding your settings and start practicing in Manual. I occasionally shoot in Aperture Priority, but it really really depends on what I'm doing.I shoot in P and A mostly and keep the ISO (capped at 3200), WB, etc at auto. No post processing yet but I shoot in RAW + JPG in case I ever need to do any.
Thoughts on the best mirrorless camera in the 300-400 dollar price bracket?
Considering the Pentax qs1 as per this thread, anyone else have any recommendations?
The Fuji hype is usually regarding better colours from the out of camera jpgs if im not mistaken. I'm not sure if you were expecting better image quality when stepping down in resolution from the better Sony sensor?I traded my A6000 for a Fuji X100s a couple months ago because I never used any lens other than the 35mm prime. I love most things about the X100s but I haven't been able to achieve the image quality I was expecting after hearing about the hype the past few years. I mainly shoot with AF-S with the focus point at its largest, moving it to the subject whenever I take a shot. Other than that, just the default settings. Any suggestions for making the most out of the X100s, especially for landscape/city shots (settings, etc)? Thanks!
At some point you might need the 11-24 2.8. It's part of the "Holy Trinity."As someone who is going to be putting themselves out there for trying to get gigs assisting and second shooting with other wedding photogs, what bases am I missing for a wedding shooter?
Cameras: D800e / D700 backup /w battery grips
Lens: 24-70 2.8, 70-200 2.8, 50mm 1.8
Flashes: Yongnuo YN-568EX /w diffusers
Batteries: Eneloop AAs for flashes and if emergency camera grips
3x EN-EL15 batteries for D800e, 2 EN-EL3e for D700
Anything else other than water and some xanax?
As someone who is going to be putting themselves out there for trying to get gigs assisting and second shooting with other wedding photogs, what bases am I missing for a wedding shooter?
Cameras: D800e / D700 backup /w battery grips
Lens: 24-70 2.8, 70-200 2.8, 50mm 1.8
Flashes: Yongnuo YN-568EX /w diffusers
Batteries: Eneloop AAs for flashes and if emergency camera grips
3x EN-EL15 batteries for D800e, 2 EN-EL3e for D700
Anything else other than water and some xanax?
The Fuji hype is usually regarding better colours from the out of camera jpgs if im not mistaken. I'm not sure if you were expecting better image quality when stepping down in resolution from the better Sony sensor?
I traded my A6000 for a Fuji X100s a couple months ago because I never used any lens other than the 35mm prime. I love most things about the X100s but I haven't been able to achieve the image quality I was expecting after hearing about the hype the past few years. I mainly shoot with AF-S with the focus point at its largest, moving it to the subject whenever I take a shot. Other than that, just the default settings. Any suggestions for making the most out of the X100s, especially for landscape/city shots (settings, etc)? Thanks!
I heard that the gh4 is a pretty decent camera, but I'm worried about the relative age of the camera. My one fear is that the next generation of phones will compete closely with the camera I purchase. Any guidance is much appreciated.
Has anybody purchased any of the Yongnuo lenses?
They've finally released a 50mm for the Nikon F-Mount, they retail at $80 bucks so I'm quite curious... mostly because I want that ability to do AF since my 50mm is the Series E Pancake.
But at the same time, $80 is too much to waste when it's about half of what it costs for the Nikon version so I'm hoping for more opinions before I get it.