100% Serious.
Edit: Musicals are widely loved by huge segments of the population and they are an unexplored space in the gaming industry that is more interested in rehashing the same fantasy/scifi and Action movie tropes at higher fidelity.
You could probably get access to most of the great musicals for a pittance. The Sound of Music, My Fair Lady, Mary Poppins, Les Miserables, West Side Story, Greece, The Wizard of Oz is now under Fair Use.
Start Edit: There are a bunch more i am forgetting, hopefully that was enough to demonstrate the idea.
Besides it is not unprecedented to have dance/musicals/culture in video games. its just rare. Final Fantasy VI's most famous scene is an Opera made on the SNES. FF IX is about a travelling theatre troop Final Fantasy x-2 is musical, Lightning Returns has a good mix of Opera influence.
Most Recently Nier Automata is being praised for its Soundtrack and the Music that goes along with exploring the world and Yakuza 0 one of this years other Hits has both a karaokee and a disco dance minigame that were hugely popular among players who experienced those games.
Nintendo even published Tokyo Mirrage Sessions which while currently burried on the WiiU was greatly loved by those that played it.
Edit2: The fact that Nintendo is using an original jazz song written specifically for Super Mario Odyssey to sell the game seems to indicate that this would fit firmly within tbeir current direction.
Very true, and I'm sure there are some in the Joe movie goer public who does not realize the MCU/Disney connection, but even so, Disney, at least to me, is the prime of how it can be done. How a company, like Disney, can both maintain a "wholesome family image," and yet, touch upon violent action themes under the same ownership.That's because they don't usually attach the Disney name to their Marvel stuff.
If Rare was still around, titles like Perfect Dark, Killer Instinct and Conker would probably be the Mature titles people would expect from Nintendo
Oh wait, I mean Rare is still around. Just that they're no longer with Nintendo.
I was going to post and say basically the exact same thing! Took the words right out of my mouth.
Nintendo should build a time machine and go back to 2002 and not sell Rare. That would solve all their problems. ¯_(ツ_/¯
This is very true.They shouldn't change their core franchises to M rated for no reason. I don't understand how people think Mature = Complex/Deep/Good. Are Disney movies bad because they're for children? I see more depth in them than most action movies.
What will they do to a game like Gal Gun?
Doesn't Nintendo censor a lot of games coming out of Japan? So if they already censor a game like TMS:
What will they do to a game like Gal Gun?
They never sold Rare, the Stamper brothers had the majority of shares and sold themselves to Microsoft.
Well then Nintendo should've just gone ahead and buy the Stamper's share.They never sold Rare, the Stamper brothers had the majority of shares and sold themselves to Microsoft.
Doesn't Nintendo censor a lot of games coming out of Japan? So if they already censor a game like TMS
As much as I'd love for Nintendo to do a musical-based game, there's two problem with doing so...
- There aren't that many voice actors in the industry who are good at singing. Off the top of my head, I can name Rena Strober (who has actual experience with musicals), Laura Bailey, & Troy Baker. I'm sure I'm missing a few, but there aren't really enough voice actors to pull from to get a full musical cast, let alone voice actors that Nintendo Treehouse would be willing to pay for (given their preference for non-union productions). Speaking of which...
- There is the potential option of pulling from Broadway talent (Jeremy Jordan, Lin-Manuel Miranda, Aaron Tevit, Laura Osnes, Corey Cott, Ben Platt, Rachel Bay Jones, Andy Karl, Barrett Doss, Phillipa Soo, Barrett Wilber Weed, etc.). However, the problem with this is the same issue that I mentioned earlier. If Nintendo Treehouse isn't willing to do more unionized productions with their games, why would they go out of their way to hire actual Broadway talent?
You are drawing so many conclusions it's not even funny. For starters, good scores have always been a huge part of successful games. Civilization IV technically won a god damn Grammy. Earthbound used a ton of songs that were huge in pop culture, and soundtracks for games have always been a huge deal. Eternal Sonata was literally a game based on Chopin.
But that's not what I was questioning about your post.
You're advocating taking a family-friendly classic story, and turning it into fucking Wolfenstein. You don't think that's going to play poorly with the general public? You can't fundamentally change the entire story and still use that name. I don't know about you, but I don't remember the party in The Sound of Music where a character sneaked through a field and then stabbed the hell out of some Nazi's. If you take a beloved family classic and change the entire premise of the story, it is going to absolutely blow up in your face. Also, I'm not sure if Fair Use is the correct term you intended to use, but if you made a game like you proposed you would get sued into oblivion and lose.
It's just incredibly tasteless, and odds are nobody is going to want to play it.
I feel like a majority of the games you're citing were revered/hated for other reasons--FFVI was an all around great game, FFIX was a kind of back to basics FF, FFX-2 was universally reviled and may be the worst game in the series so probably not the example you want to use, and Lightning Returns was only praised for its music because FF XIII-2 was so bad Kotaku likened spending the extra money for the CE with the soundtrack to "paying somebody to shit into your ear".
Well then Nintendo should've just gone ahead and buy the Stamper's share.
I can't tell if you're just using sarcasm.
Because they censored third party games like Senran Kagura in the past too, right?
Also, if you need to bring burqas into the discussion, maybe you should discuss this on gamefaqs or something like that.
Fire Emblem sex scenes 🤔
OR!!!
They can put in the effort in creating a new more mature ip the same way they created Splatoon and market it. They dont need to sully their old ips for no reason. They should start by making Metriod more mature as a starting point.
So GTA V when
Fire Emblem sex scenes 🤔
OR!!!
They can put in the effort in creating a new more mature ip the same way they created Splatoon and market it. They dont need to sully their old ips for no reason. They should start by making Metriod more mature as a starting point.
I think the whole "Nintendo would have been better off buying Rare to bolster their mature games output" argument is a bit flawed, as the likes of Perfect Dark and Conker's Bad Fur Day are outliers for their normal output to begin with. Even after MS bought them, Rare still largely focused on making family-friendly games since that was an area that MS's lineup had been sorely lacking in. It might sound hard to believe, but it's been over 10 years since they've released an M-rated game themselves.
While what youre saying makes some amount of sense, I still think your stance is a flawed one to have as well. Perhaps the reason why Rare mostly released family friendly games under Microsofts ownership has to do with Microsoft wanting Rare to make these sorts of games in the first place. If they stuck around with Nintendo, maybe Nintendo wouldve commissioned them to keep making entries in those mature franchises to help their systems have more of an appeal for adult gamers. Or they couldve even created new ones.
After all, they made more darker/mature/violent games on Nintendo consoles than on the Xbox systems. I wouldnt have expected them to suddenly stop making these sorts of games after the N64. Sort of how they kind of just stopped making them after 2005 under MS.
Theres also the fact that Rare attempted to make all sorts of mature games for the Xbox consoles (including a horror game!), but all of these ideas were either shut down or didnt get far into development. But thats beside the point, I guess.
Hadn't most people responsible for the N64 games left by that time? I always understood that the Rare MS bought wasn't the 'same' Rare that made Perfect Dark and Banjo
Not at all.
What you just said is just a myth that has been spread around and believed by many people for many years now. Not sure where it came from. Only the Goldeneye/Perfect Dark team was affected by significant employee departures before MS bought Rare. A couple of others left too here and there, but the rest of the teams remained largely intact. It wasnt until the Kinect years when most veterans of the company started leaving.
While what you're saying makes some amount of sense, I still think your stance is a flawed one to have as well. Perhaps the reason why Rare mostly released family friendly games under Microsoft's ownership has to do with Microsoft wanting Rare to make these sorts of games in the first place. If they stuck around with Nintendo, maybe Nintendo would've commissioned them to keep making entries in those mature franchises to help their systems have more of an appeal for adult gamers. Or they could've even created new ones.
After all, they made more darker/mature/violent games on Nintendo consoles than on the Xbox systems. I wouldn't have expected them to suddenly stop making these sorts of games after the N64. Sort of how they kind of just stopped making them after 2005 under MS.
There's also the fact that Rare attempted to make all sorts of mature games for the Xbox consoles (including a horror game!), but all of these ideas were either shut down or didn't get far into development. But that's beside the point, I guess.
I dunno, I get the feeling that Iwata would have pushed them to keep working on more family-friendly stuff during the Wii era, though I imagine that games like Perfect Dark Zero still would have come out in the early goings to help fill the void that was left behind when Silicon Knights and, to a certain extent, Factor 5 jumped ship for their exclusivity deals with the other platform holders, but other than that, I think the only major thing that would have changed would have been Rare working on another big mass-market blue ocean series than Kinect Sports; maybe even them doing a new DKC themselves or finally finishing off Donkey Kong Racing.
That Japanese third parties have been slow to announce anything on a system that has demonstrated a good merging of the strengths of console gaming, which has long been struggling in Japan, with the strengths of portable gaming is something I don't think I'll ever understand. Did most of them just expect this to fail outright?
Just remember, this is nothing new for Nintendo. They've always welcomed Mature and risque content since at least the DS. They're just actively pushing for it with the Switch.
So mature just means weeb vita shit?
Funding Bayonetta 2?Where was this Nintendo four years ago when the Wii U was floundering? Christ.
When I saw mature in the title I assumed it meant games that were actually mature, not just ones that had the M rating. I love Doom but mature is one of the last words I'd use to describe it.
I can't believe Life is Strange is rated M in the US. Over here it's 12+. Would love to see titles like that on Switch though.
Because they censored third party games like Senran Kagura in the past too, right?
Also, if you need to bring burqas into the discussion, maybe you should discuss this on gamefaqs or something like that.