They're running an ad for The Americans on the NYT homepage that turns all the text to Russian, lol
Unparalleled depth can be felt throughout thanks to this careful layering, and Season 5 so far effortlessly captures a complex range of emotions that proves more enriching with every extra minute of consideration. Tension rises and falls with rapidity, even though the ever-present risk keeps things constantly taut. This, too, has always been a strong suit of Weisberg and Fields nuanced work. Grade: A
Ive mentioned endings when there is still two full seasons to go but if you cut up the shows six seasons into a beginning, a middle and an end, were at the very beginning of the denouement. Thankfully, season fives first three episodes reveal that The Americans is as good at endings as it is well, pretty much everything else.
I like that The Americans has stayed grounded enough in the way where Phillip and Elizabeth are able to not get caught. So many other shows would have let Stan figure things out by now yet contrived a reason for him to stay in the picture - blackmail or something else like that. But The Americans has handled Stan and Nina and others really believably.
That said, I wonder if this penultimate season will be when Stan finally finds out about Phillip and Elizabeth, and the final season will focus on the ramifications of that discovery and how they deal with it.
Stan is pretty screwed. What's his best case scenario here? He catches them and then his career is ruined because he didn't see it sooner? He might actually be ok with that.
Stan is pretty screwed. What's his best case scenario here? He catches them and then his career is ruined because he didn't see it sooner? He might actually be ok with that.
Stan is pretty screwed. What's his best case scenario here? He catches them and then his career is ruined because he didn't see it sooner? He might actually be ok with that.
That's a tough one. Both of those are pretty bad.I think Sepinwall had a pretty good Twitter poll the other day between who would be more immediately screwed if they discovered the truth: Stan with his neighbors vs. Hank with Walt. Stan won the poll.
My guess was always that they'd end up on the lam in the US. I doubt they'd kill any of the Jennings family, but who knows...I really wonder what the best case scenario for the Jennings is. Paige and Henry won't go to the USSR willingly. Do Phillip and Elizabeth leave them? Die? Does the whole family go on the run, make new lives for themselves somewhere? It'll be really interesting to see how it plays out.
I also crack up when Stan pops up unannounced and ends up eating or drinking beer. There's a scene where that fool waltzes in, opens the fridge, and grabs a beer without asking. He's like Bruhman from Martin.
I wonder if the Phillip and Elizabeth would actually kill Stan if he found out.
I mean, we've seen them be cold-blooded before, but I don't think they could do it.
No way Phillip would do it. Elizabeth is absolutely cold-blooded enough, though.
The reactions to Henry saying that at the dinner table still get me to this day.Henry will do it. For Mrs. Beeman.
Ive seen the first few episodes of the new season, and the drama remains as tense as ever, with strong, careful writing and an abundance of fine performances. Both the spy stuff and the family stuff work on their own, and they blend together more naturally than you might expect, especially where daughter Paige is involved.
Perhaps armed with the knowledge that next year is the show's last, the stakes in Season 5 feel even higher even as its trademark slow burns decelerate to a purposeful crawl, and the personal and the professional lines blur further.
Will Martha be back this season?
No comment. Theyve told me that I can say something theyve said many times themselves: Shes alive and if youre alive on The Americans, theres always hope for you. Which is fair enough, but its certainly something that everybody is dying to know. Im asked on a daily basis.
Are you sick of the questions?
No, its fan-tastic. Ive noticed just this real tenderness when they talk to me about her, their genuine concern and sympathy and empathy. Its quite lovely, because it didnt start out like that.
Even with an end in sight, the showrunners arent resting on their laurels. Theyve introduced a new tone (but decline to define the tone specifically, leaving that to critics). We have in a sense much less espionage whizbang, Weisberg says. Of course, each season has had less than the season before, and this season though, theres even a more dramatic drop-off than before. After reading some of the scripts, FX CEO John Landgraf said he noticed theres a focus on emotional velocity. That became Weisberg and Fields catchphrase.
Whereas in past years the writers would begin plotting the season by figuring out what theme would drive the action, that has changed. The characters and the story are telling us whats right tonally and what moves come next, Fields says. Now, as well, they are dealing with even more stories that are taking place in Russia. KGB official Oleg Burov (Costa Ronin) has returned to his family grieving the loss of his brother. Theres also the little matter of whatever became of poor Martha. The truth is, as much as we plan all the moves of our story, were also open to being surprised by them as they unfold, Fields explains. That was one that was a surprise to us toward the end of last season, because the story pointed toward these characters being sent home.
It is still one of the very best shows on television. FX gave critics the seasons three opening episodes. The first is more of a table-setter than some past Americans premieres have been, but the next two are outstanding, filled with the usual agonizing mix of spy thrills and family drama, and superb performances by Keri Russell, Matthew Rhys, Noah Emmerich, and the rest of the gang.
The Americans, arguably the best show of any kind currently airing on television, is back and firing on all cylinders. 5 out of 5 stars
- NY Times reviewThe best drama on television continues to ratchet up the tension while pushing purposefully toward the end
The series nuanced depiction of espionage as grinding emotional labor is still enthralling. Season 5, which begins Tuesday on FX, finds the Jenningses entanglements deepening.
Yes. 13 episodes this season and supposedly 10 next season to finish it off.This is the penultimate season, right?
Surprisingly, it's a normal 1-hr runtime this evening.Amber Waves
As Philip and Elizabeth struggle to contain the risks from Paige's growing relationship with Matthew Beeman, the Centre sends them on an operation unlike any they've ever had before, straining their family and marriage to its limits.
Season premiere tonight:
Surprisingly, it's a normal 1-hr runtime this evening.
- YahooTV reviewThe fourth season was great. The fifth at least needs to match it, and the evidence so far establishes that it will. Grade: A+
- Rolling Stone reviewAs always, it's all set to a perfect 1980s soundtrack, and written and directed with the same quiet reflectiveness, punctuated by moments of intense action, that has made the show a critical, if not ratings, success.
The Americans, FX's masterful espionage saga, is the most heartbreaking and harrowing drama on TV right now. But as it heads into its final two seasons, the show feels weirder because it's also timelier, unfortunately.
Season premiere tonight:Surprisingly, it's a normal 1-hr runtime this evening.
- Vox reviewAs always, The Americans does complex work that never calls attention to its complexity. The associations and connections are there if you care to make them, but the show maintains plausible deniability as a good spy should, walking briskly from scene to scene as if its just here to get the job done and get out.
Fortunately, The Americans fifth season succeeds in addressing our current world by being its assiduously careful self. This is still a show about how, beyond politics, beyond economics, beyond nationalism, people are people. How beautiful, and how terrifying.
- Time Magazine reviewAs always, it's all set to a perfect 1980s soundtrack, and written and directed with the same quiet reflectiveness, punctuated by moments of intense action, that has made the show a critical, if not ratings, success.
The Americans hits new heights in Season 5