spiderman123
Member
Damn this week episode is sooooo good.
(I spoiled myself on this weeks ago so you don't have to) - it'll be addressed later on, it's not a dropped plot point.So what the hell happened to the naovoo after it missed Eros?
They acknowledged this:And the Roci zooming past like four moons in seconds seemed a little cartoony. I dunno, maybe they are that close together.
- Losing Science in Drama (and Finding Drama in Science) (Naren Shankar on tonight's episode)
In Episode 11 of Season 2 (which airs this Wednesday at 10pm ET on Syfy), one of our characters (Alex, the pilot) has tucked his ship behind one of the smaller moons of Jupiter to keep it hidden from Martian patrol ships that have blockaded a base on the inner moon Ganymede, while his crewmates carry out a mission on Ganymede Station. When his crewmates become trapped, Alex has to come up with a risky rescue plan:
He plots a complex, gravity-assist (slingshot) trajectory to return to Ganymede without using the ships main fusion drive (which would expose him to detection by the patrols). Later, while hes performing a maneuver, he barely avoids straying into the path of an unexpected ship.
The sequences are quite beautiful, well-acted and nicely directed, and the visual effects are gorgeous (particularly the immersive, holographic orbital trajectories of the Jovian moons, which are all scientifically accurate at least I hope they are). And its a lot of fun to watch.
Its also utterly preposterous.
But if we already knew that, then why did it end up on screen? Heres what happened:
When we were working out this particular story line in our writers room, we needed a pick a moon to hide the ship behind, so off we went to Wikipedia, and we settled on moon #54 (Jupiter XLVIII), Cyllene.
Why Cyllene? Well mainly because it was a girls name and it sounded pretty, which suited the scene and Alexs character. It wasnt until the picture had been locked and we were well into post-production that I realized we had a problem, due to one, simple fact that we hadnt fully thought through:
Cyllene is really, really far away from Ganymede.
And that has big ramifications. The gravity-assist trajectory Alex (i.e., we) had devised wouldve in reality taken months to complete, but the sequence wed created showed Alex slingshotting around several moons and getting back to Ganymede in a ludicrously short period of time.* (In a moment of derangement, I briefly considered fixing the problem by using VFX to make Alexs beard appear longer each time we cut back to him, with empty beer cans and food bar wrappers accumulating around him to imply that a lot of time was passing in each cut. Im only half kidding.)
By the time I was able to really focus on this sequence and understood the problems, it was too late. We were married to what we had physically shot on stage and the (extremely expensive) VFX already being built in our pipeline.** So I decided to let it go and wrote it off to dramatic license.
And thats what bugs me more than anything else.
Its far too easy in TV/film science fiction to ditch reality for (what you perceive to be or rationalize is) the sake of drama. In a fantasy space opera, this is forgivable, but for a show like The Expanse that prides itself on a realistic portrayal of space, it is not.
I did finally come up with an alternative sequence, one that wouldve better reflected reality and been far more exciting to boot but by that time it was too late to change what we had. For the record, what I should have done was this:
1) Change the moon we picked to another one (with a pretty, girls name, of course) that was much closer to Ganymede (this wouldve required changing a few words of Alexs dialogue, but that wouldnt have been difficult to do);
2) Build the flight sequence around a single event: a complex trajectory adjustment around one moon, perhaps involving a dangerously close pass over the surface, with a limited window for Alex to complete the maneuver, which gets further complicated by the appearance of an unexpected patrol ship. Remember that terrific sequence in Apollo 13 in which James Lovell (Tom Hanks) has to hit a tiny re-entry window on manual control? This couldve been as riveting like that.
As they say, that and a buck will buy me a coke (though I would much prefer a martini).
**The accounting department at our studio often refers to the show as The Expense.
I find the way the proto molecule being used to be quite offputing. On one hand one research team lost complete control twice and another research team more or less got the exact results they wanted? I hope there isn't technobabble to explain this.
They acknowledged this:
I was thinking the same but then I saw that shot of Jupiter and my mind went "fuck it, just go with it. This looks awesome even if it's dumb!"Cool to see that response, because I was like "woah wait a second that's a little out of the realism of the show it takes place in".
They acknowledged this:
Also, this amused me:
The words "Created it in our image" the scientists used is just a bunch of red flags. On the one hand you have hard sci fi and on the other you have the protomolecule that feels like the gateway for the writers to pour in their spirituality and anime fantasies. (episode 5).
Hence the ridiculous scene in the last episode where they have the fight science vs belief.
You think Syfy know that their science fiction credibility lies with this show, so they'll keep it going for geek cred?
Loving the show, Draper is growing on me.
This scientist guy (on Venus) is finally growing on me. I think it is a good addition since he seems like the perfect civilian character to have a role during the events of the third book.
You think Syfy know that their science fiction credibility lies with this show, so they'll keep it going for geek cred?
Loving the show, Draper is growing on me.
Until it gets more expensive than they like and can it. Hopefully when (not if) they do stop funding it, others pick up the tab.
Expanse is already syndicated up to ears, SyFy isn't carrying the bill alone.
HOLY SHIT! I just finished the first two episodes of season two and these motherfuckers are CRAZY!!!!!
Even my GF (who doesn't give two shits about anything scifi) was mad she had to go to work after those episodes.
The Monster and the Rocket
A horrible discovery in a secret lab pushes Naomi and Holden apart and sets the crew of the Roci against each other. Avasarala and Bobbie make a dangerous rendezvous with the fate of humanity in the balance, and a result that no one on either side could anticipate.
New episode tonight:
After filming his cameo on Syfy's The Expanse, Adam spends a few minutes chatting with actor Wes Chatham about his character Amos Burton, surprises from the second season and wearing a spacesuit fora prolonged period of time.
HOLY SHIT! I just finished the first two episodes of season two and these motherfuckers are CRAZY!!!!!
Even my GF (who doesn't give two shits about anything scifi) was mad she had to go to work after those episodes.
those must have been some good cucumbers
Welcome to Episode 11 of The Churn, our post-show podcast about The Expanse. Each week during Season 2, The Expanse creators Ty Franck and Daniel Abraham (who you all know as James SA Corey) and Syfy Wire's resident The Expanse superfans -- Fangrrls Managing Editor Cher Martinetti and Editor-in-Chief Adam Swiderski -- take a deep dive into the latest episode.
This week, Naomi and Amos head back to the Sonambulist with nothing but good intentions, but it doesn't take long until they discover things are far worse than they imagined. Meanwhile, Holden's on a mission and his obsession nearly gets him, Alex, and Prax in over their heads. Lastly, Errinwright pulls the ultimate power play on Mao and Avasarala, and the fate of Earth hangs in the balance. Actor Terry Chen joins us on the podcast to talk about Prax and more as we break down the latest episode.
Heh, lots of non-fbombs in this episode.
Bobbie demolishing the first sandwich and then not giving a fuck while grabbing a handful was hilarious.
I just want to be as happy as Bobbie is eating cucumbers.
How shitty are Martian marine rations that cucumber sandwiches are altering her life like that?