Snowy, thanks for your comments on Godel, Escher, Bach. I've had a copy in the house for ages and ages, but it's reputation is intimidating enough that it's just languishing on a shelf and collecting dust. You've motivated me to at least try to dig out my copy, dust it off, and think about sneaking into my reading queue later in the year.
If y'all finish the book by October (lol), Vol 3 of The Graphic Canon comes out with IJ illustrations by yours truly. Got to draw my favorite book ever, no big.
Awesome news! I'm totally looking forward to checking out your illustrations.
So, the last time I posted in the reading thread I was starting up Roberto Bolaño's 2666. I managed to get through two of the five parts of the book before going, "Well, maybe I'll just take a break from 2666 and read something lighter before diving into Part 3." That was many months and a whole pile of serial genre fiction ago.
First off, I got sucked into Ilona Andrews' Edge series and tore through the three books out so far -
On The Edge,
Bayou Moon, and
Fate's Edge - in very short order. I'd discovered Ilona Andrews (the pseudonym for a husband and wife writing team) last year with the
Kate Daniels series, an addictive urban fantasy series set in post magical apocalypse Atlanta and with an interesting take on vampires to make up for a more run-of-the-mill riff on werewolves, all of which helped make up for the series' god-awful book covers. The covers are a tad better with the Edge novels (if not by much) and they do a fine job of conveying the concept: plucky, badass heroine hooks up with smoking hot, mysterious man whose head floats benevolently up by the authors' name. The titular Edge is the border between the magical fantasyland of The Weird and our plain ol' mundane world of The Broken. It's a place where magic works, the inhabitants are scrappy and mistrustful of outsiders, and everyone is invariably dirt broke. The first book in the series sets up the formula nicely: our heroine lives in the Edge, she encounters mysterious hunk from the Weird, they Team-Up(tm Marvel Comics) to defeat bad guys, and romance blooms in the process.
Now, I realize that sounds generic as all get out, and the basic concept was certainly done very well by awesome authors like Emma Bull with the old Borderlands shared universe. The catch here is that our writing team does a damn fine job of writing fast-paced romantic adventure of the sort where you want to tear through one book right after the other; I recently introduced a friend to Andrews and she did not stop until reading all eight of the author's novels one after the other, cursed my name for introducing her to such an addictive author, and then listened eagerly to my news of upcoming installments in the series and side-project novellas. And, if the universe isn't a super original concept, it's still a fine one to base an urban fantasy series on and Andrews uses the setup in interesting ways to put our heroes and heroines through the wringer. Also, while each novel focuses on a new couple, characters from previous books in the series show up in the background and provide a lovable cast to keep track of.
To sum up, if you're a fan of urban fantasy, or have been curious about checking out the genre, I can't recommend Ilona Andrews highly enough. And, if you're thinking, "Man, I want to have a pile of light fun reading to just wallow in for the summer", well, here you go.
Next, I was curious to see what the fuss was all about, so I picked up the first book in Suzanne Collins'
Hunger Games trilogy and wound up reading all three of 'em in fairly short order. I dunno that I have a lot to say about these that hasn't already been said by half the internet, but the short version is that they're fast, compelling reads, it's interesting that a YA series about dystopian teenage gladiatorial blood sports has become such a part of a the zeitgeist, and that there are some wonky aspects of the series I thought were perplexing.
First off, it's interesting reading a dystopian novel that's not very interested in explaining the society it depicts. Sure, Collins has some vague things to say about reality television and a vapid ruling class, but the setup is there more to provide a way to put the characters through the wringer than to be commented upon in and of itself. That's fine - I liked the characters I was supposed to like, I wanted to see what happened to everyone and how they reacted to the challenges of the plot, and so forth - but I mostly kept thinking that the ruling class wasn't very good at totalitarianism and that it was surprising they didn't seem to have an ideology to explain this. For example, I was surprised to see that booze was considered a black market item. If the state had some sort of ideological reason to ban this, sure, okay, I can see that, but otherwise what better way to keep an oppressed slave class compliant? It's a minor detail, sure, but one that stuck with me.
Also, man, the series really could use some more laughs. I kept thinking of satirical takes on the concept - Battle Royale, The Running Man, and so forth; hell, even Rollerball has some lighter moments - and wished that things weren't so damn earnest all the time. In particular, every time someone mentioned the President, the breathless phrase "Mr. President...a very dear friend of mine" popped into my head straight out of Death Race 2000, which didn't help in taking the series too seriously. Still, I enjoyed reading 'em and I'm glad America's current novel fad involves teenagers beating each other to death.
Then I learned that two new installments in an urban fantasy series I'd been reading were out, namely
Blood Challenge and
Death Magic, the less than originally titled seventh and eighth volumes in Eileen Wilks' World of the Lupi novels. Earlier novels in the series were fun examples of the Werewolf Boy Meets Magic Girl genre, but by this point Wilks is largely writing about characters in established relationships and so some of the spark is missing, even while the end of the world plots are steadily escalating. Blood Challenge introduces a new Magic Girl for a Werewolf Boy to fall in love with and she's a likeable character with a fun power, but the novel is busy following our big established couple - she's an Asian FBI agent who can detect magic, he's a werewolf prince - so there wasn't as much time spent setting up the new relationship as I would have liked. Meanwhile, Death Magic fleshes out a peripheral relationship in a pleasant way and does a lot of major plot advancing things in the process. It's entertaining enough but...hrm. I don't want to be too hard on Wilks, but while reading the book I kept thinking that, say, Jim Butcher's Dresden Files are a lot more compelling on the escalating plot front, and the romantic element wasn't nearly as compelling as, say, the Andrews novels I ranted and raved about above. I'd still recommend the Lupi novels to a dedicated urban fantasy fan looking for a new series to jump on, and I've still got the next novel in the series pre-ordered, but I can't say I'm super excited for the series at this point. Ah well.
Then I dropped everything to read
The Wind Through The Keyhole, Stephen King's new Dark Tower novel. I've been a fan of the Dark Tower series for a quarter of a century now, so when Mr. King decides to revisit the world, I am
so there. With the series already wrapped up King doesn't have much wiggle room to fit in a lot of new continuity, but he sidesteps the issue nicely by having our heroes hole up during a storm and pass the time with Roland telling a story from his youth, with a nested fable contained within. As a fan, it's always a pleasure to see King flesh out more of Roland's past, and King uses his horror chops to provide a suitably creepy problem for a pair of young gunslingers to solve. However, the real joy here is the fable that gets told halfway through the novel, about a young boy on a (naturally) perilous quest, which King infuses with the rhythms of the Brothers Grimm and tantalizing details about the Mythology of Mid-World. It's really a lovely book all around, a love letter from King about the importance of storytelling, and it's a must read for fans of The Dark Tower. I'd also be curious to see if it works as a stand alone novel for the uninitiated. Either way, I loved it.
Finally, on my girlfriend's recommendation, I just finished reading
Touch The Dark by Karen Chance, the first novel in the Cassandra Palmer series. We're talking more straight up urban fantasy/paranormal romance here, with a Magic Girl heroine that can interact with ghosts and who grew up in the household of a vampire mobster. Now she's grown up, on the lam, and dragged back into the world of vampire politics by Destiny(tm). This was an okay start to an ongoing series, but I didn't think it was amazing and there was a lot of corn to swallow in the process. Many of the vampires are historical figures who just happened to all be the living dead, the vampire mythology is completely off the shelf, there's an organization called MAGIC (barf) that our heroine gets caught up in, and so forth. Then there's a plot that involves a lot of visions to the past, to the point where the plot gets kinda jumbled at times, but by the end of the novel we have a new status quo and a launch pad for more of our heroines adventures. Eh, like I said, it's okay. Apparently there's more humor in the following books which was a big selling point for my ladyfriend, but I think it's probably all a bit too cheesy for me. I may read more, I may not. Eh.
Last night I was flailing about for a new book and was having trouble finding something I was excited to read, but I figured I couldn't go wrong with a short Heinlein novel, so I punted and grabbed
The Door Into Summer. I'm only a few pages in so far, but it's shaping up to be about time travel through cryogenic freezing, which I'm down with. I'm sure it'll be a great, fast read, and I can figure out what I want to tackle next afterwards. Perhaps I'll go back to Bolaño, hat in hand, and see if I can get further into 2666. Alternately, it might be time to read another Aubrey/Maturin novel. Hrm.
FnordChan