teruterubozu
Member
you can always just launch the browser version.
Play.spotify.com
Yeah I know. But I always lose track with multiple tabs open and always end up shutting down the music by mistake. Really frustrating.
you can always just launch the browser version.
Play.spotify.com
The desktop client is my least favorite thing about Spotify. I dread launching it.
Yeah I know. But I always lose track with multiple tabs open and always end up shutting down the music by mistake. Really frustrating.
Use a browser that supports tab locking?
Boo hoo, Thom Yorke doesn't think his band is making enough money, boo fucking hoo. Sorry for your meager ~$40 million. Let me pity him as well as all the other established millionaires who flock to whatever service pays the most whilst outputting sub-par (or quite honestly, terrible) product once a year (or longer) for their one or, maybe, two good singles.
Then let's all complain about Spotify, which gives artists enormous exposure, and arguably leads them to more money in the long run through that avenue then just direct streams. Does any artist really expect to make (or sustain) a career living from their music in streams? No? Okay then, go out and get money at a show or sell some merchandise, which is what you were going to do in the first place anyway. It's not, as if, you are only going to make your music available in one place, right?
"It's such a shame that music isn't valued"
Let's all clear something up here: a lot of "artists" produce shit. They release an album a year, with maybe two (if you're lucky) quality tracks that will even exist longer than the 6-8 month average staying period, and you expect me to pay for 80-90% trash you thought up in a boardroom while trying to appeal to "what's current"? Or pay the same amount (or sometimes more) for some no-name, badly produced, made-in-a-can sounding garbage you created in 48 hours on some software? The bar for quality music and media in general has gotten so abysmally low that it creates this false sense of "they're undervalued" -- hey, guess what, nobody has to listen or pay for your shit. If you create music to just get money, I guarantee your product is terrible. If you create music that you love and will do it regardless of who listens, because you actually love music, I guarantee you'll produce quality and will have fans and support. And of those fans who support and love your music because you're creating quality, guess what happens then?! People buy your shit because they value it.
But I guess it's okay to just expect people to prop you up for nothing more than ego.
It's so depressing how little people value music - and films, and books - these days. Everything's become (I know people hate this word, but) entitled: we pay little, we get these things. They don't use Spotify because, compared to Tidal and Apple, the margins for the artist are absolutely fucking shocking. So, good. I'm pleased. Let them get paid.
It's worth buying, by the way. Anything you like and want to keep and listen to is worth buying.
Why is it artists are cool with Tidal and Apple but not Spotfy? The free tier?
I really like Spotify and have a premium sub, I honestly hope they drop the free tier if it means they can start getting all this stuff they are missing.
As usual, if music is hard to listen to I just don't listen to it.
So much for Radiohead being open and un-corporate.
oh what the fuck man. It's even on Tidal Lol.
Isn't it on Google Play too? as far as I understand that's exactly like Spotify. Do they simply pay the artists better?
Why is it artists are cool with Tidal and Apple but not Spotfy? The free tier?
I really like Spotify and have a premium sub, I honestly hope they drop the free tier if it means they can start getting all this stuff they are missing.
I've addressed the usability issue with this above, but to add another reason, premium subscribers at Spotify are disadvantaged to premium subscribers at other streaming services, despite us paying the same amount.
I paid to download the MP3s and I can't even play them as local files in Spotify
I paid to download the MP3s and I can't even play them as local files in Spotify (which you can always do with other music not on the service). Come the fuck on.
oh what the fuck man. It's even on Tidal Lol.
Isn't it on Google Play too? as far as I understand that's exactly like Spotify. Do they simply pay the artists better?
Hold on, if the main barrier of entry is the free users...
Then why does it allow me to use a 3 month free trial on Google music to play it?
I wonder if there's something else at play.
That's not a free tier.
That's a free trial. Slight but important different.
Not a fan of the apps. Main thing for me though is discover weekly.
Well, no. It's not. Spotify aren't paying enough money out to the artists. Simple as that. And it's because of the free tier, which is what most Spotify users use. Without that, they'd be on an even level with tidal and apple (although they pay less share than those two even from the paid tier). We're going to see this more and more: as they pay less, so people restrict. It's unfair of Spotify to not pay more, not the band for wanting to, you know, give their music its actual worth.People paying for Spotify are paying $120 per year. That's probably more than the average music consumer spent on CDs or downloads.
People on the free tier of Spotify don't care enough about specific music to subscribe and are likely to listen more as a radio station. So arguably they won't miss the likes of radio head. But it seems unfair to restrict content from paying customers.
Anyone know what the deal is with In Rainbows being pulled from Apple Music?
Shows up for me just fine (US).
It's so depressing how little people value music - and films, and books - these days. Everything's become (I know people hate this word, but) entitled:.......
Well, no. It's not. Spotify aren't paying enough money out to the artists. Simple as that. And it's because of the free tier, which is what most Spotify users use. Without that, they'd be on an even level with tidal and apple (although they pay less share than those two even from the paid tier). We're going to see this more and more: as they pay less, so people restrict. It's unfair of Spotify to not pay more, not the band for wanting to, you know, give their music its actual worth.
Yeah. I won't act like I'm fault-less in my non-support, but it is interesting to see where it goes.I don't fault you guys, but pretty interesting how devalued music has become.
People paying for Spotify are paying $120 per year. That's probably more than the average music consumer spent on CDs or downloads.
People on the free tier of Spotify don't care enough about specific music to subscribe and are likely to listen more as a radio station. So arguably they won't miss the likes of radio head. But it seems unfair to restrict content from paying customers.
"I think it's very of the time and it shows a feeling in society. Everybody is very greedy. And all this is about is the emergence of a universal access to music, which I think is an amazing thing. I'm not a dinosaur, I know what streaming is, I know how it works more than anybody I've met. And believe me I've done an awful lot of research about it the last few weeks," he says. "What we're prepared to accept, and what could become the norm, is trying to be cemented here. Some people have been greedy and it doesn't have to be [like that]."
I'm glad I learned rich people are not allowed to complain about money they earned and deserve.
That said they could have at least released the vinyl.
From what I hear, the payout models of all three services are practically the same: 70 to 75% of net revenue, split proportionally based on stream counts. Therefore, in practice, it would be whoever earns the most revenue which would be paying out the most actual dollars, which AFAIK remains Spotify. Of course, this assumes no back door shady deals with the major labels, which is a dumb assumption to have,but I would also expect all of the services to have made similarly shady deals for the major's catalogues, so whatever. It's also ignoring artists signing up with shitty deals with labels that take all the money, which is the actual problem with streaming payouts.I wonder how much more artists make from tidal and Apple Music? The payout from Spotify is insanely bad so I don't blame anyone that boycotts the service. If the payout is similar then I think it's pretty scummy. People can always buy the actual album and support the artist that way too. Artists gotta make money, don't see the issue
Money I spent on music 2004-2014: $0
Money I spent on music 2014-now: $240 and counting
Yeah, if I remember correctly from my time working with Pandora, Spotify pays out between 1/50th of a cent and 1/100th of a cent per play of a song. That means for every 10,000 plays, artists would only make a dollar or two. Pretty abysmal.
Here are the payment numbers reported to date for “Detroit” (the payments haven’t caught up with the actual streams yet):
204,250 Spotify streams = $910.43
This means we’re getting paid approximately 0.4457 cents for every stream. Since we didn’t/don’t have a label, we used a distribution service to get the EP to the digital services and never pressed any physical copies. That service takes 15 percent off the top, so Spotify is actually paying out more than we’re seeing (approx. 0.5244 cents/stream).
The biggest issue with most of the arguments against Spotify is that we don’t know the terms of the artists’ contracts. What are the details of their label deal? Do the songwriters have a publishing deal? Did the songwriter get an advance on his publishing deal? What is the songwriter’s split on the song(s) they wrote? Without any of this information, we can’t tell exactly what is happening to the money after Spotify writes the check.
Huh, I swear when I looked on Thursday it wasn't there.Shows up for me just fine (US).
Yes you can. I do it all the time.
It works perfectly fine for me. Could even sync the album to my phone.
Thread seems premature, there's no actual statement on this aside from they're working on getting the album on the service. Not the first time there's been exclusivity deals with other platforms and Spotify gets it eventually.
Should be clear that artists don't get compensated all that great with the Spotify model, it's convenient for us but worth resisting for them while there's competition out there.
Not simply a marketing tool, it's the future of music consumption for a generation that has grown to accept the devaluation of creative works. They're not needed by huge bands like Radiohead that can reach their audience in a variety of ways, and they do no favors to smaller artists seeking to make a living through new distribution models and finding it impossible. Other streaming services understand this and build it into their business model, artists deserve to be compensated fairly.Ideally, artists shouldn't be relying on Spotify as a primary source of income for their music. It's a marketing tool for other revenue channels.