Trainwreck shows are entertaining for a time. I enjoyed laughing at arrow for a couple seasons past 4 but eventually it does lose its luster. For now RoP is still cringe funny to me. The latest episode had some truly hilarious parts especially how the battle is the most unepic and sloppiest choreography and can be directly compared to helms deep to show just how crap it is as they clearly wanted to emulate that.Why do ya'll continue to torture yourselves by watching this garbage? I'm a massive Halo fan, but I dropped Season 1 just over halfway through.
Amazon is paying a lot and they said the magic words “these changes, believe you me, are necessary to appeal to MODERN AUDIENCES!”… and they are paying a lot of money.so why is the show shit its like the estate wants to destroy tolkiens legacy.
That's the key. It's that they made these silly changes because they THOUGHT there was an audience for it, when clearly there is not.Amazon is paying a lot and they said the magic words “these changes, believe you me, are necessary to appeal to MODERN AUDIENCES!”… and they are paying a lot of money.
One third sad self-sorry Bilbo, one third Denethor, one third Theoden under Saruman's spellCelebrimbor getting worked over is from the books
Doesn't make it right. But it's funny
I know it’s from the books. But the books didn’t go into this level of detail on how Sauron the deceiver pulled it off.Celebrimbor getting worked over is from the books
Doesn't make it right. But it's funny
Last episode was terrible:
- "Gandalf...that's what they will call me" reveal. Like we didn't know from season 1 already acting like it's grand reveal loool.
- Dwarfs suddenly show up from everywhere, even on the walls like they were teleported. Nobody saw them beforehand?
- The orcs just fucking off after killing their 'dad' leaving galadriel and sauron.
- Sauron fighting galadriel and pretty much killing her and still asking for the ring instead of just taking it... fucking stupid
- Galadriel surviving a 500meter fall...
- The end scene with the king, cringe.
- And probably a bunch more that I already forgot.
The writing, acting and overall direction is so amature and downright bad it's justLast episode was terrible:
- "Gandalf...that's what they will call me" reveal. Like we didn't know from season 1 already acting like it's grand reveal loool.
- Dwarfs suddenly show up from everywhere, even on the walls like they were teleported. Nobody saw them beforehand?
- The orcs just fucking off after killing their 'dad' leaving galadriel and sauron.
- Sauron fighting galadriel and pretty much killing her and still asking for the ring instead of just taking it... fucking stupid
- Galadriel surviving a 500meter fall...
- The end scene with the king, cringe.
- And probably a bunch more that I already forgot.
Arrow was already much worse after season 2.Trainwreck shows are entertaining for a time. I enjoyed laughing at arrow for a couple seasons past 4 but eventually it does lose its luster. For now RoP is still cringe funny to me. The latest episode had some truly hilarious parts especially how the battle is the most unepic and sloppiest choreography and can be directly compared to helms deep to show just how crap it is as they clearly wanted to emulate that.
ThanksY'all are snobby as fuck.
The worst seasons of of GoT which everyone complained about I enjoyed and didn't complain, expect for the final few eps.Y'all are snobby as fuck.
Just wait for Gandalf meeting Galadriel in a future season.Crying foul over things like Gandalf's arrival in the wrong age is weird.
The worst seasons of of GoT which everyone complained about I enjoyed and didn't complain, expect for the final few eps.
Heck even the Hobbit I thought had some merits.
But RoP I genuinely think is a real mess on so many levels. Even the music sucks.
Y'all are snobby as fuck.
From the first time I watched the original animated films, I always wondered who Sauron was and how he managed to do what he did.
We got that, and there's no substitute for it.
Is it perfect? Nah. But the liberties they've taken with Tolkein's material are the kind that are expected with adaptations. Crying foul over things like Gandalf's arrival in the wrong age is weird.
Was it satisfying to see it play out? Yes.
As a father, the standout moment was the death of King Durin, and it wouldn't have landed without two seasons of build up.
Can't wait for season 3.
Well then, I just have to say that you have incredibly shit taste and very low standards.
The show is an utter joke. It's utterly poorly written, produced, acted, and designed. There is pretty much nothing redeeming about it.
Oh yeah I was just in the "maybe it will be good again" for a couple seasons before I went full laugh at it mode.Arrow was already much worse after season 2.
The fact you can ebitch slap someone like this in 2024 and get away with it is so amazing. Props GAF.Well then, I just have to say that you have incredibly shit taste and very low standards.
The show is an utter joke. It's utterly poorly written, produced, acted, and designed. There is pretty much nothing redeeming about it.
Reevaulate your tastes.Y'all are snobby as fuck.
From the first time I watched the original animated films, I always wondered who Sauron was and how he managed to do what he did.
We got that, and there's no substitute for it.
Is it perfect? Nah. But the liberties they've taken with Tolkein's material are the kind that are expected with adaptations. Crying foul over things like Gandalf's arrival in the wrong age is weird.
Was it satisfying to see it play out? Yes.
As a father, the standout moment was the death of King Durin, and it wouldn't have landed without two seasons of build up.
Can't wait for season 3.
Cracked me up when Celebrimbor got impaled through the stomach on a pike and proceeded to natter away with Sauron as though nothing was wrong. On the whole I though the Celebrimbor storyline was one of the better ones at the end of the season but that moment, and the scene in general, showed how little care or comprehension those making the show have over maintaining tone or prioritising coherent storytelling over a dramatic or 'cool' visual. Sauron torturing Celebrimbor to death, revealing the depths of his cruelty while Celebrimbor suffers the consequences of his hubris, should have been a moment of intense, intimate sadness and foreboding at the victory of evil and one man's folly representing the blindness of all the ringbearers, and Middle Earth generally, to the darkness their complacency, avarice and ego were allowing to be reborn. Instead, we got the comedy of Celebrimbor with these lengthy arrows stuck in him and rattling around, him being all chatty after being stabbed in the stomach with a pike and hoist up a pillar, then his nonsensical guff about Sauron being controlled by the rings before, to top it off, Sauron getting all weepy. And then the dwarves appeared out of nowhere just because.
As I've previously said, I enjoyed and have enormous respect for the books but am not a Tolkien uber-fan so not the sort who notices when the details of the lore aren't on-point, but there are moments in the show when it hints at something much better or at least taps into relatable emotion: Durin struggling to find the strength to confront his corrupted father, for instance, or Celebrimbor's ego blinding him to the madness of what he was doing. Unfortunately those storylines are often drowned out by a glut of disposable or outright crappy others (especially everything to do with Numenor, which is dire and exhausting on every possible level, or whatever the fuck Isildur is supposed to be doing, or Diversity Elf pracing about for no other purpose than to be a Diversity Elf, or turning Tom Bombadil of all, uh, people into a mission-giving NPC), or sabotage themselves at key moments such as the above, that any potential that might have existed is killed off and taking any hope or goodwill with it. I genuinely believe the show could have been at least decent with competent people running it and focusing on, say, three key storylines, but as it is it just never stops falling over its own feet.
Just wait for Gandalf meeting Galadriel in a future season.
Which is something Tolkien wrote in the Unfinished Tales when he was retconning when the Wizards arrived.
I'm confused... Folks on here saying second season is doing horribly but then I see elsewhere watch time is doing big numbers
People like thrash, news at 11.I'm confused... Folks on here saying second season is doing horribly but then I see elsewhere watch time is doing big numbers
Well at least you acknowledge the level of quality of the show .A few purist Tolkein crybabies not stopping shit.
Well written!Cracked me up when Celebrimbor got impaled through the stomach on a pike and proceeded to natter away with Sauron as though nothing was wrong. On the whole I though the Celebrimbor storyline was one of the better ones at the end of the season but that moment, and the scene in general, showed how little care or comprehension those making the show have over maintaining tone or prioritising coherent storytelling over a dramatic or 'cool' visual. Sauron torturing Celebrimbor to death, revealing the depths of his cruelty while Celebrimbor suffers the consequences of his hubris, should have been a moment of intense, intimate sadness and foreboding at the victory of evil and one man's folly representing the blindness of all the ringbearers, and Middle Earth generally, to the darkness their complacency, avarice and ego were allowing to be reborn. Instead, we got the comedy of Celebrimbor with these lengthy arrows stuck in him and rattling around, him being all chatty after being stabbed in the stomach with a pike and hoist up a pillar, then his nonsensical guff about Sauron being controlled by the rings before, to top it off, Sauron getting all weepy. And then the dwarves appeared out of nowhere just because.
As I've previously said, I enjoyed and have enormous respect for the books but am not a Tolkien uber-fan so not the sort who notices when the details of the lore aren't on-point, but there are moments in the show when it hints at something much better or at least taps into relatable emotion: Durin struggling to find the strength to confront his corrupted father, for instance, or Celebrimbor's ego blinding him to the madness of what he was doing. Unfortunately those storylines are often drowned out by a glut of disposable or outright crappy others (especially everything to do with Numenor, which is dire and exhausting on every possible level, or whatever the fuck Isildur is supposed to be doing, or Diversity Elf pracing about for no other purpose than to be a Diversity Elf, or turning Tom Bombadil of all, uh, people into a mission-giving NPC), or sabotage themselves at key moments such as the above, that any potential that might have existed is killed off and taking any hope or goodwill with it. I genuinely believe the show could have been at least decent with competent people running it and focusing on, say, three key storylines, but as it is it just never stops falling over its own feet.
Hold up. Retconning?
Tolkien wasn't writing Unfinished Tales as standalone book. It's not a novel. It's a collection of stories and essays that his son edited after Tolkien's death.
Because they were unfinished works in progress. An author figures things out by writing. What is this comparison?!Tolkien was always changing things. He was George Lucas before George Lucas. There are multiple different versions of events in The Silmarillion, for example. In The Unfinished Tales, Tolkien was toying with changing when the Wizards arrived in Middle-Earth. He was writing stuff where they arrived in the Second Age and specifically wrote a thing where Gandalf met and talked with Galadriel in the Second Age.
Because they were unfinished works in progress. An author figures things out by writing. What is this comparison?!
The Galadriel/Gandalf Second Age stuff was written after LOTR was published. They're in essays Tolkien wrote up to the time of his death.
What EviLore said isn't incorrect.
While the scene of Galadriel meeting Gandalf in the Second Age was added after the publication of The Lord of the Rings, (correct me if I'm wrong, but you're referring to "Galadriel and Celeborn" in Unfinished Tales) it's important to remember that Unfinished Tales is a collection of incomplete works. Tolkien may have been exploring different possibilities and ideas related to Middle-earth's history without necessarily intending to contradict or alter his established timeline.
It's possible that Tolkien saw this scene as a potential addition to his mythology, but he never fully integrated it into the main narrative. Therefore, while the scene might seem like a retcon, it's more likely that it was an exploration of a potential storyline that he didn't fully develop.
This isn't the same as what George Lucas did with Star Wars.
It’s a four page document written after the publication of the 1960 edition of LOTR detailing the origin of Elessar in the Second Age mostly via a conversation between Gandalf and Galadriel.
Tolkien also wrote other essays, including one in the year he died, about the Wizards coming to Middle-Earth in the Second Age.
He changed his mind after the publication of LOTR, so it is a retcon. In 1959 he put the five wizards in Middle-Earth during the First Age helping with The Great March that the elves took to reach Valinor, then in 1960 he wrote the Elessar document that puts Olórin with Galadriel in the Second Age, and finally in 1973 he wrote the Glorfindel essay where he talked about Olórin in the Second Age.My previous point still stands. We cannot confuse this with retconning.
He changed his mind after the publication of LOTR, so it is a retcon. In 1959 he put the five wizards in Middle-Earth during the First Age helping with The Great March that the elves took to reach Valinor, then in 1960 he wrote the Elessar document that puts Olórin with Galadriel in the Second Age, and finally in 1973 he wrote the Glorfindel essay where he talked about Olórin in the Second Age.
Except a huge complaint is that people said Gandalf coming to ME in the second age DESTROYS canon, when Tolkien wrote that he was in ME as early as the First Age.it's important to note that this was done in a way that generally aligns with the existing mythology and doesn't contradict the established timeline. Tolkien was exploring new ideas and expanding on existing concepts, rather than completely overwriting his previous work.
While Tolkien did add new details to the history of Middle-earth after the publication of The Lord of the Rings, these additions were generally consistent with the overall mythology and can be seen as a natural evolution of his world-building.
We also need to remember that Tolkien began developing the mythology of Middle-earth long before he started writing The Lord of the Rings. This early work was initially a personal project and a hobby not intended for publication. As a result, the lore evolved over time, and Tolkien was free to explore different ideas and possibilities without worrying about consistency or continuity.
When Tolkien decided to publish his Middle-earth stories, he faced the challenge of weaving together a complex mythology that had been developed over decades. This inevitably led to some inconsistencies and contradictions. However, Tolkien's approach to these inconsistencies was often to embrace them as part of the rich tapestry of his world, rather than trying to iron them out completely.
Therefore, when considering the "retconning" of Middle-earth lore, it's essential to keep in mind that Tolkien's original intentions were much different. The evolution of his mythology over time, combined with the challenges of adapting it for publication, naturally led to some changes and additions.
All of this doesn't excuse the writers of RoP taking serious liberties with Tolkien's work. Tolkien was ultimately the creator of Middle-earth. The writers of RoP are adapting his work and should strive to maintain the spirit and integrity of his original vision.
While some creative liberties may be necessary to adapt the material for television and film, it's essential that these changes are made thoughtfully and with a deep understanding of Tolkien's mythology, which is something I haven't seen any evidence of so far with what I've seen.