JdFoX187 said:It was a good sequel to the Richard Donner movies. But it cost a fortune to make. Why? I have no fucking idea. The special effects were impressive, but outside of the plane sequence and the end, there weren't really any major setpieces. The only thing I could think of was the salaries for the production crew and cast. Oh yeah, Kate Bosworth is no Margot Kidd. Got Bosworth was horrible as Lois Lane.
Most people, when talking about the cost of SR, site a figure that includes the money spent on the aborted Superman Lives and Superman Reborn projects including the multimillions WB was forced to pay both Cage and Burton when those didn't get off the ground. That significantly inflates the price of the movie.
BruceLeeRoy said:I think this is a huge mistake.
Bryan Singer was merely giving superman a foundation again. With that out of the way and a brand new script I think he could make something truly amazing with the next movie. I hope so badly they keep him.
These are my thoughts exactly. SR was gorgeous from a visual standpoint and well casted (screw you all, Kate Bosworth was great). Just mandate a real villian not named Zod, more action, and Luthor as nothing more than a small bit player if even in the movie at all and you got a great flick on your hands.
BowieZ said:You people are all dancing around the most important part of a reboot.
John Williams.
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He's already met with people at WB about doing the music for the next Superman film.
Meus Renaissance said:I've read people wanting to see Doomsday, or Braniac or other villains be the focus of future movies and I just don't believe that to be a recipe for success. To me, there is something fundamentally wrong in delivering a character - who by all means is immortal - into situations where he would inevitably clean up, if it weren't for his own Achilles heel being a piece of green meteorite. Essentially, you will get a repetitiveness - a predictability - to the character whose own persona really isn't of anything to gain interest to the casual audience, especially in comparison to modern day success' persona's such as Bruce Wayne/Batman. At least with him you have sophistication in his anti-hero demeanour. Whereas with Clark, we have a lovable goof whose a loved sick puppy over a woman who barely is interested in anything but his own, lovable do-gooder perfect alter ego - whose main weapon, is, well, you cant hurt him. I just don't see the basis of a story here. How do you make a franchise about Superman without making it predictable? Is that even possible?
Hence the reason they introduced the kid. I know the decision is near universally hated on GAF, but I think it was brilliant. In SR they showed Kal-El feeling totally alone. He even leaves for 5 years to see if anyone else survived, hoping to find some one, anyone else like him. There's no one. Just when he thinks he will always be the Last Son of Krypton he discovers his own son, the only other person in the universe with Kryptonian heritage. Family members have always been a tried and true weakness in fiction and now Superman finally has one.
Have deranged-Animated-Series-supercomputer Braniac as the villian trying to wipe out the Earth or at least its Krytonian residents, including the newly discovered one whom Kal-El would presumably do anything to protect. Braniac inevitably gets defeated, but maybe the kid dies or is seriously hurt, and a scene after the credits shows Luthor using technology and parts from Braniac to make a prototype of Metallo. Bam, there's your next movie.
Ninja Scooter said:Superman in general (especially his origin though) is so boring, played out and predictable. What they need to do is adapt Red Son as the next Superman movie and throw people for a loop. Commie Superman would flip people out. It'd be great just for the right wing/middle america meltdowns.
I would LOVE that, but it probably has, at best, a 0.1% chance of actually happening