Rentahamster
Rodent Whores
Tony Northrup goes over the new 5D and talks about the video capabilities a lot.
https://www.youtube.com/watch?v=quwAvqcbLRw
https://www.youtube.com/watch?v=quwAvqcbLRw
"An hour of 4K video is 226gbs." Fuck that fucking horse shit.Tony Northrup goes over the new 5D and talks about the video capabilities a lot.
https://www.youtube.com/watch?v=quwAvqcbLRw
"An hour of 4K video is 226gbs." Fuck that fucking horse shit.
Dosnt that kind of file size render the 4K video of the camera useless? What kind of monster rig would one need to handle these files?
"An hour of 4K video is 226gbs." Fuck that fucking horse shit.
You don't need a monster rig, my laptop handles 4k fine using Premiere Pro. It's not like you're working with a single 400gb file, you're working mostly with a bunch of short(er) clips.Dosnt that kind of file size render the 4K video of the camera useless? What kind of monster rig would one need to handle these files?
One of the main reasons why I don't touch video for freelance stuff is I have no idea how I'd even share it with the person.Lmao
They need to release a separate SSD or 2.5" HDD housing that connects to the body. Even then if hate managing files that size.
This is the first thing I ever shot after buying it, and if there's anything wrong with it maybe it could be blamed on my export settings (low bitrate/h264), but I think it looks great.so brerwolfe, are you ever asked to submit a 4K file for anything? Or do you pretty much only have one client for your golf stuff and they require 1080p?
in 2016 4K still feels like a marketing thing.
also, on the last page I posted a link to an article comparing the 1D X Mark II video with the 1DC.
Under image quality, they say this about the 1D X Mark II:
"Unfortunately, the HD mode of the Canon 1D X mark II is really disappointing. Aliasing is strong and the image is very soft. It can hardly be considered an HD image and is barely suitable for an old tube television. The Canon 1D C, on the other hand had a S35 crop mode that delivered a very nice HD image."
I assume by "HD mode" they mean 1080p video as opposed to 4K. Do you agree with this? "Really disappointing" "soft image" "strong aliasing" "barely suitable for an old tube TV"?? That seems bizarre.
Still mjpeg for 4k? yikes
Ive finally decided on a D500 (Nikon)
What lenses would people recommend? I ideally want to buy 3, one for landscapes one for portraits/ street photography and a general all purpose lens.
Ive finally decided on a D500 (Nikon)
What lenses would people recommend? I ideally want to buy 3, one for landscapes one for portraits/ street photography and a general all purpose lens.
I have that lensIf you're not opposed to manual focusing, the Nikkor 105/2.5 AI is phenomenal. Of course MF shooting is a little more involved and slower but that can also be beneficial for portraiture which it excels at. Just to give an idea of its pedigree, its the lens that helped capture this famous portrait...
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It can be found for around $250. Well worth the money.
If you're not opposed to manual focusing, the Nikkor 105/2.5 AI is phenomenal. Of course MF shooting is a little more involved and slower but that can also be beneficial for portraiture which it excels at. Just to give an idea of its pedigree, its the lens that helped capture this famous portrait...
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It can be found for around $250. Well worth the money.
I have that lens.
Anyways, my tripod of 6 years is on its last legs, so I'm on the market for a new one.
Can anyone recommend a sticks/head combo that has the versatility to shoot both video and photos? It should also be able to support around 15-20lbs because I shoot both medium format and 4x5 (both of which are heavy).
My budget is around $350...I might be able to push to $400.
Need some Kodachrome as wellIf you're not opposed to manual focusing, the Nikkor 105/2.5 AI is phenomenal. Of course MF shooting is a little more involved and slower but that can also be beneficial for portraiture which it excels at. Just to give an idea of its pedigree, its the lens that helped capture this famous portrait...
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It can be found for around $250. Well worth the money.
Hi guys, I want a super budget solution to an audio problem. I have a DSLR with no mic jack.
I want to use a handheld mic for interview footage at an event. Yes, I would like a zoom (coupled with a mic) but that is too expensive right now. Please advise gaf!
The easy answer is a separate recorder and then combine in editing. I bet you could probably use your phone at a push
The super budget answer that I'm making up on the spot, is crack open the casing where the built in mic is, and wire something in place of it. I bet with some hacking about you could mod a mic socket onto it![]()
You can probably get an affordable microphone to use with a smartphone and a dedicated app, or a voice recorder. There's a whole market for that type of gear and tons of videos about it on youtube. If you have a decent smartphone you may not even need an external mic.![]()
OK to be fair that could actually work, but don't want to break my camera before really using it. Haha.
Could anyone suggest a cheap portable recorder?
What's your budget, and which of the three is most important to you?
If you're not opposed to manual focusing, the Nikkor 105/2.5 AI is phenomenal. Of course MF shooting is a little more involved and slower but that can also be beneficial for portraiture which it excels at. Just to give an idea of its pedigree, its the lens that helped capture this famous portrait...
![]()
It can be found for around $250. Well worth the money.
Then you better do what I do and hit ebay up for some second hand lenses. You can probably do a Tokina 11-16 for landscapes, maybe a 1.8 85mm for portraits, probably should get the new one made by Tamron since it's stabilized and you could probably get either the Nikon F4 24-120 VR lens or the F4 Sigma 24-105 as a basic walk around lens. What would people here recommend for indoor events photography...photography in general? The D750 or D500? I'm pretty sure both are a clear step up from my D7100.I'm looking to spend about what Im paying for the Camera (£1500/$2000) total
I'm looking to spend about what Im paying for the Camera (£1500/$2000) total
Which usage scenario will be most common? Are you planning on trying to make any money on any particular one?
Hi guys, I want a super budget solution to an audio problem. I have a DSLR with no mic jack.
I want to use a handheld mic for interview footage at an event. Yes, I would like a zoom (coupled with a mic) but that is too expensive right now. Please advise gaf!
Ive finally decided on a D500 (Nikon)
What lenses would people recommend? I ideally want to buy 3, one for landscapes one for portraits/ street photography and a general all purpose lens.
I'm looking to spend about what Im paying for the Camera (£1500/$2000) total
Most expensive lens I've ever bought, can't wait to try it out in Italy next week.
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Oooohhh nice. Good choice.
I tried one from my local dealer for three days, but I still have to convince my wife that it is absolutely essential for my photographic life to shell out 1200 bucks.
Have fun with it!
I already have the 12-40mm and the quality of these pro lenses is superb. I also have the 40-150 2.8 comming next week, bought this used for $900. I'll probably not use it as often as the 7-14 and 12-40, since it is a lot bigger than the other two,
This might be a really really dumb question but I'm asking coz I'm confused as fnck right now.
Regarding Nikon's DX format...
So if I buy a DX 35mm lens and put it on a Nikon APS-C body does it actually equal out to 35mm or does the crop factor still factor in, equaling it out to 52.5mm instead?
DX lenses are built for crop sensors so it'll be 35mm. You just can't put it on a FX camera without getting severe vignetting, which is why I have no interest in purchasing DX lenses cause they're really not future proof if you intend on going FX at some point.This might be a really really dumb question but I'm asking coz I'm confused as fnck right now.
Regarding Nikon's DX format...
So if I buy a DX 35mm lens and put it on a Nikon APS-C body does it actually equal out to 35mm or does the crop factor still factor in, equaling it out to 52.5mm instead?
DX lenses are built for crop sensors so it'll be 35mm. You just can't put it on a FX camera without getting severe vignetting, which is why I have no interest in purchasing DX lenses cause they're really not future proof if you intend on going FX at some point.
What the hell is the purpose of DX again?It's a 35mm lens, but the field of view on APSC is about equal of that of a 52.5mm lens on FF.
What the hell is the purpose of DX again?
I've been dealing with DX long enough to start realizing "You get what you pay for." I'm fine with it, but at the same time it does start coming off as a compromise sensor size.Cheaper.
I've been dealing with DX long enough to start realizing "You get what you pay for." I'm fine with it, but at the same time it does start coming off as a compromise sensor size.
I've been dealing with DX long enough to start realizing "You get what you pay for." I'm fine with it, but at the same time it does start coming off as a compromise sensor size.