For all the uniqueness Kiss Land had production wise, it was still a really unmemorable record. I can only recall the two bonus tracks as they were the two best songs on the record, the Pharell Remix and the Kavinsky collaboration. Most of the record wasn't as great as two tracks delegated to the bonus section, which is kind of sad. I think Kiss Land could have been great if he built it around a certain theme and tightened the flow of the record. It's a really long album.
And for its worth, I don't think he really wanted to continue down that dark R&B track. He very clearly wanted to be a pop star, with his Dirty Diana cover and crooning on Kiss Land. He just jumped at the first opportunity he got to fill that MJ void. I'm just sad he scrapped a whole album worth of material with Doc McKinney a.k.a. the guy who executive produced House of Balloons and Thursday.