Today underground rapper Sadistik unleashed his latest EP
Phantom Limbs. This EP is a collaboration with producer/rapper Kno from Cunninlynguists and in this project he lends most of his talents to composition for a package that's all around superb. Sadistik is known for his gravely morose voice and flow which is present on this album in spades. You can feel the anguish he's going through in his words and he has a way of making his words visual. Take these lines from "The Darkness" for instance, "Petals falling off the daffodils, I can't appeal. There's never monarchs in this monarchy only caterpill. Hurts while leaving shadows on the moon, teach me how to drown in the shallowest lagoon". These sad and dark images of dying flowers shadows cutting into stone and attempted suicide helped create the somber tone and also added a bit morbidity to the song. These subjects are present throughout the entirety of this project. "To Be in Love" is about missing a lost love, "Hers Forever" expresses painful love for a woman who rejects him, "Phantom Limbs" talks about coming to terms with painful memories and thoughts, "Daydreams" is talking about getting caught in the nightmares that torment, but sooth him while also trying escaping from the pain, and "In Heaven" he talks confesses that he feels that he is too sinful for heaven and perhaps enjoys tormenting and being tormented in the bridge in between the two after lives. I could not pin down the theme of "Unaware" however.
As you can obviously see this isn't an album for partying or lifting spirits. Lyrically it is very layered in flow, rhymes and wordplay. Metaphors, alliteration, and puns can be found throughout this audio journey into descent. The featured artists also contribute in these respects, "Unaware in particular" has three guest emcees that lend their talents to the mic. Chino XL, Sheisty Khrist, and Metasota all add something unique to the track while also keeping in lime with the tone of the song. Chino XL's verse in particular impressed me the most. His flow is raw and unforgiving.
To touch upon Kno's contribution to this EP, his instrumentals play well in hand with Sadistik's rhymes. The beats are slightly electronic reminiscent with lost of drums, a couple of choir samples, and piano pieces. They are good instrumentals on their own and I hope that Kno releases an instrumental version of this album before the year is up. While Kno is a producer, he also raps from time to time. His only mic contribution is on "Hers Forever" and I'll say that he's as good as Sadistik on the track and I would've like to seen him rap on at least one other song. This is a great album by two incredible artists and right now I say it ranks among the best in the year.
Recommended Tracks:
The Darkness and
Unaware
8.5/10
As I was looking at the purchasers of
Phantom Limbs on bandcamp, a certain user profile icon caught my eye and I decided to click on it. The user was
Wyatt Armstrong Hunter and noticed that he had a few Cunninlynguists purchases in his collection so I figured he had great taste and decided to give a listen to the first album that appeared on his page, The Rapture: Live from Oaklandia by Zion I. This album released just a few days ago on August 7 and upon clicking on the first track I regretted missing it on release day. This is a live rap/soul album from artist Zion I who I didn't realize was already in a few tracks in my library as he did "In the City" with Cunninlynguists, and was featured on Nneka and J. Period's "God of Mercy". His features apparently didn't capture my attention before, but it certainly has gotten it now. In
The Rapture the duo of Zion I focuses on unleashing riveting energy. Zumbi's voice is propelled and projected to get the listeners hype and his flow is at a steady, but quick pace. His energy and pace does start to slow down at the end however, but it's still energetic.
The live instrumentation from the band is also a main contributor to the sound. Drums, cymbals, saxophones, pianos, and guitars are present throughout the performances. There is also a nice electronic sounding instrument I don't recognize at the end of Human Being that I like a lot. It overall has a bit of a jazzy and soul flavor to it. What I like the most about the choice to go live for this album is that it really captures the feeling of being in a concert. The quality is superb and the crowd interaction really sets it home. What is also notable is that most of the tracks seem to flow into one another. In all but one song there seems to be not definite cuts from one track to the next further instilling the feeling of being at a live concert.
Now I haven't touched upon the lyrical skill of the album and I can say it's pretty decent. It's more straightforward and I didn't catch any instances of wordplay, but the themes of goals of this album seemed to be about uplifting the spirit which I typically don't see in those type of songs anyway. His style is more of the boom bap flavor. His pronunciations are clear majority of the time and the featured emcees hold up decently. The singers attached accompany the instruments well enough and none of them are bad, but none of them really stood out to me either except for that end note that Codany Holiday dropped on "Sorry". That was off the chain.
To conclude this, The Rapture: Live from Oaklandia is a great album that makes great use of live instruments and recommendation to those looking for a little more joy in their life. I'm now eager to hear more of him and I think his style would be greatly complemented to the likes of Blitz the Ambassador, Common, Akua Naru, Ben L'Oncle Soul, and Nneka. Oh yeah, I'm definitely going to listen to everything else in that user's profile.
Recommended Tracks:
Boom Bip,
Trippin, and
Human Being
9/10